This week’s blog has my sketches from the past week. I have been travelling interstate to see family and am back in my sketching comfort zone. I visited in December when borders had just opened and things were a little different. I was quite anxious when travelling and although I sketched at the airport, I was not as relaxed as this time. It reflected in my sketches each time.
This time it was as if my sketching muscle memory has returned. It all came back to me and was though I had not had a break of a few years.
Sketching planes is always fun, once you get all the angles right and the proportions. This is where holding up the pencil to measure comparative sizes of parts of the aircraft helps! ie in the sketch below, from this angle the length of the wing is the same size as the length of the airplane. I always sketch the wing too short and have to extend it out.
It was great that this plane did not have an aerobridge for the passengers to enter, they had to walk across the tarmac, which meant the front of the plane was not blocked out for me when I was sketching.
I was able to sketch on the plane again – always fun.
Once I arrived home I took part in my Mum’s life. They played Scrabble and I watched, listened and sketched. Very entertaining. There is no likeness in the sketch, but it is all about me capturing the moment of being there.
We went to a St Patricks Day lunch. with lots a green being worn, a silly quiz and lucky door prizes. I did a very quick sketch there and then drew Mum’s badge later that night at home.
These are my feet up relaxing. We had a very big, wonderful but exhausting family reunion lunch on Saturday. Sometimes you need to judge the time and place to sketch and at the reunion was not it. But I could document the day at the end of it with my feet up (and my green nail polish from St Patricks Day).
Below are my sketches from this past week. All are in my Moleskine 13 x19 cm watercolour sketchbook with watercolour pencils. I have added water to some pages,which makes it look like paint. Other pages or areas of the page I have left as pencil on paper.
This was my view from the hairdresser as I waited 20 minutes for my haircolour to set. Luckily the car did not drive away in that time. I initially drew the car and then added the background and street.
I walked into the city and was struck by the brilliant blue sky and white clouds. I sketched the city skyline in the blue (Light Pthalo Blue I think) of the sky. I always sketch directly with the watercolour pencils onto the page. I never use a graphite pencil to do an initial sketch. I think this comes from my travel sketching where you really don’t have time to do things twice. There is also energy with those first lines, even (or especially) if they are wonky.
My lunch break drawing It was too cold outside to sketch, so I sat in the library I work in and drew one of the older books from the shelf. It lived a hard life before being acquired by us. All of the issues of his journal are available online, so there is no need to get books off the shelf. However, there is nothing like an old book, let alone being surrounded by them. It is good to be back at work.
This is not watercolour pencil. It is a multicoloured pencil where you have no control over colour It was given to me and is fun. This came from Daiso (a $2 shop in Sydney) and is Niji-Iro Pencil if you are interested
I carry 26 watercolour pencils with me everyday in a pencil wrap. I have chosen these colours over many years, but they are still not absolutely fixed. They are the colours that I have decided suit the objects and scenes I usually sketch. They are 26 from a potential of 120 FaberCastell Albrecht Durer watercolour pencils. These are the pencils that you can purchase individually.
Someone asked for my advice on my top colours for them to purchase. I realise that 26 is probably too much choice and most people may just want a handy kit they can put in a pencil case.
I have managed to narrow it to 12. I tried to make it 10, but that was too difficult!
I just love watercolour pencils. You can see the amazing variety of tones that you can get from one colour – from very intense to beautifully delicate and light. That is fun of playing and practising with your pencils and knowing what they can do with them when you are out and about or at home, you can look at something and you can tell yourself “I know what colour is perfect for that !”
Part of the knowledge is the colours and the other part is how much water to add with your waterbrush. My waterbrush is on the far left of the photo. It is basically a tube which you fill with water. You need to play with controlling the amount of water that flows. It is easy to flood the page until you get used to it. Mine has a Medium brush.
I hope that anyone who has newly discovered watercolour pencils is having fun exploring their possibilities. Let me know if you have any questions.
Which colours do you carry? any of these?
Below are two of my on-location sketches from the past week.
I was honoured, excited and nervous to be invited as Bethan has interviewed some amazing individuals. In the end, it turned out to be a lovely hour’s chat
Since then, I have had a number of new nature journallers following this weekly art blog and my daily Instagram account. Welcome to you! I thought I would write this week on the title of the podcast “Anything is Sketchable”.
For those new here I will introduce myself. I live in Melbourne and work full-time as a librarian. I sketch in my Moleskine watercolour journal everyday, and only use watercolour pencils and an ink pen. I just love to draw! I wrote a previous blog post on Why drawing makes me happy. https://alissaduke.com/2015/07/why-drawing-makes-me-happy.html
I am an: • urban sketcher • a travel sketcher • a nature sketcher – now I may want to call myself a nature journaller as this is a broader concept • a sketching journaller
These are all in one sketchbook.
I was thinking as I was writing this blog and I was able to bring together and put down in words some thoughts about my sketching practice that I already knew. I can see this as I look through the list above and see my thoughts distilled and clarified.
My various approaches to sketching and drawings are tools that I choose to use depending on how I feel, the occasion and time available. My approach to sketching is a state of mind –”anything is sketchable” and there is never “nothing to sketch.”
Here are some of my approaches.
Sketching on location
This comes from my urban sketching and travel sketching background and is also used on other pages. Urban sketchers https://urbansketchers.org/who-we-are/ have a manifesto which includes sketching on location, capturing what we see from direct observation. Our drawings tell the story of our surroundings, the places we live, and where we travel.
As a travel sketcher, my key is to choose my subject quickly as I may not have much time to sketch. I sketch what attracts me and what I am curious about. It may not be the most obvious part of a scene I see in front of me. The idea is to start getting some marks down on the page. If I get a longer time than expected, I keep adding colour and detail and spread across the pages. If I have to leave, it is still a record of me being there and that story.
It is about seeing and grabbing opportunities and capturing the moment on the page. A queue is sketching time, in the waiting room, or just filling in time. I can see that I transfer this to nature sketching as I usually sketch when out on a walk or walking to and from work through parks. Sketching the same trees and birds has allowed me to become familiar with stances and colours. I usually don’t add more to the page at home.
The subject can be unexpected. It is not planned and not always pretty. You may never sketch that object or scene again but for that sketching time, it is fascinating as you watch how bits interconnect. By observing you see more and see textures and patterns you may not have noticed before. For me, this is the same for nature sketching any other type of sketching.
Unfinished look
It took me many years to realise that the unfinished look is my style and to be completely comfortable with this. It allows me to not complete a sketch – the edges are disappearing I can have details on one part of the page, but not another. It is a state of mind. I usually do not add further to the sketch at home. Sometimes I add water to the page or extra colour – the joy of watercolour pencil! I also write on my pages, always the date, place, who I am with, and why. Context is important. I leave space on the page and add this at home. The sketch is always the feature.
Everyday sketching
I sketch and draw objects, from my everyday life. This includes food and drinks, events, objects I purchase.
Details
The joy of watercolour pencils is they are portable and suit my quick sketching, The other key importance to me is that they also can be used to add fine detail to a page with a sharpened lead. I usually do detailed drawings over a few evenings, adding layers and detail Objects have a story to tell a story – whether a childhood toy, nature object or dinner I am eating. And I love books !
Sometimes I like to combine a quick sketch and details close up. The best of both worlds! I like to use this combination.
In the end, it is your journal. The page is yours alone, to look back later and bring back memories of time and place. My approach is one of many sketching styles, and watercolour pencils are just one tool you can use in your art kit.
Happy sketching and let me know if you have any questions.
Hello to new subscribers to my weekly art blog. I thought I would let you know what to expect to see on my blog each week.
I am a watercolour pencil artist, urban sketcher, nature journaller. I enjoy quick sketches and studied drawings.
Some weeks I feature a project I am working on or an event I have been to. I usually provide a bit of background and context and work-in-progress photographs.
I also try to regularly write about my watercolour pencils and how I use them, giving practical examples. I have been drawing daily with watercolour pencils for over ten years and am still learning and getting excited by what am able to accomplish with them. I hope to inspire people to use these and just have fun putting pencil to paper.
And then there are weeks like this, where I show what I have been sketching and drawing during the week. This can be an eclectic mix depending on what I have been doing. I am still working from home full time so my daily sketches do not feature as many ‘out and about’ sketching as they would have a few years ago.
This week I attended an outdoor event: a tour of the gardens at Bishopscourt, the residence of the Melbourne Anglican Archbishop. The house is the oldest in East Melbourne (1853) and the gardens have their history too.
I am very rusty at drawing groups of people as I have not been in this situation for so long now.
I sketched at the hairdressers. The top half is me in the mirror The feet are the person on the other side of the mirror. Iti s like one of those books from childhood.
I had the opportunity to draw some food.
I attended a Zoom life drawing session one night. The theme was the cult movie Blade Runner, with the models dressed and posing as main characters.
I have also been working on my “You Can’t Draw in Books” project for a potential event. This involves drawing in books that are about to be discarded, illustrating the words on the page. I give it a new life. More news on this project later.
Yesterday I participated in a real person event. So much of my interaction with people has been online since March 2020. Life is opening up in Melbourne, however, I am still working from home and cautious on my event attendance.
I was so pleased and proud of myself that I registered and attended “Coast Walk & Draw” run by Port Phillip EcoCentre. It included a coastal path walk and talk and a nature sketching session by my sketching friend Amy who hosts Melbourne Nature Journal Club.
It was a big event for me also as it involved one hour of travel and two forms of public transport each way to a place I have never been to. This is way outside my comfort zone. Now that I have done it once, I am feeling a lot better about the whole concept. It was just what I needed.
There were 20 people on the walk of all ages and the weather was absolutely beautiful.
The session was run by The Port Phillip EcoCentre which have “been transforming the way Melbourne understands wildlife, waterways and climate change since 1999”. The guides Ben, Reiko, and Justine shared their amazing and deep knowledge of the area, which is a Marine Sanctuary. They showed us natural objects that had been found in the waters. Ben is a passionate Vertebrate-Palaeontologist (YouTube, Instagram, blog ) and showed us whale and shark bones found on scuba diving expeditions in the area. They are from 5-6 million years in the past!. They also pointed out the marine life in the sea as we walked along the coastal wall. I saw my first ‘wild’ starfish. (It should be called a sea star, but that will take me ages to get used to) This was an 11 armed starfish. Amazing.
and the sketching !!!
After the walk, we sat in the shade and Amy provided a wonderful introduction to those who had never done nature sketching and removed any fears or questions people had about nature sketching. What is it? how to do it? Amy provided a great take-home handout that had all the hints and tips and prompts written down.
We had 40 minutes to sketch. I had been wanting sketch during the entire walk, and then when I had the chance to, I did not know where to begin. Someone had mentioned Salt Bush growing in the area. As we were by the sea I decided to sketch that. I sketched one branch up close and in colour (Earth Green Faber Castell) and then the outline of some others in the background to show that it is part of a bush.
I had lots of questions that I wrote on the page and am still looking up all the answers.
I added the ocean in the background as we sat talking after, just to give some context.
I also tried a bit of sketching the group and presenters I am so out of practice.
A big day. A good day.
And finally, Amy mentioned that you don’t have to go somewhere exotic to sketch nature, it is all around us. Look up at the clouds. I agree, anything is sketchable.
Saturday was perfect, with weather at 26 degrees in Melbourne. Although it was a weekend, school holidays had just finished and I hoped the crowds would not be there. It all worked out wonderfully. If there were busy areas, I just moved on.
Each time I visit the zoo I am drawing in an old ledger. It is larger than my daily sketchbook but not too heavy.
I sketched with my usual watercolour pencils. The ledger paper isn’t made for watercolour. I do not add the water at the time as I just don’t have the time. The priority of my visit is capturing gestures. Maybe next time I will add water to the page on the spot. Adding water to the pencil on the page or off the pencil works best on smaller areas. I would have to think about what parts of the sketch I would add it to.
African Wild Dogs. Their enclosure is often the first place I stop and I rarely see them. So when they were near the viewing section I made the most of it. There were two (of the four) and they moved around this area a lot. They have such an interesting body structure – really long legs. Often one sketch is the result of many walk bys by the Wild Dogs. The face on close-up is an example. Each time he stopped at looked in my direction I tried to add more detail. In the end, they moved to an area and we could not see them. Time to move on.
In the same section are the lions – there are two and they are usually sitting upon the platforms. They stay still and move their head a bit. This time I had a few sketches in progress where their faces were at a different angle. I could then add to a different sketch as they changed the direction they were looking.
Sumatran Tiger
Not all sketches can be completed to the degree I had hoped. This Sumantran Tiger was lying down under a tree and did not move. Most of his body was in the shade and it was in the distance. You get the idea.
Eastern Black and White Colobus. There were two. This is a medium-sized primate. These African natives are known for their shiny black coats and long flowing white mane that drapes over their back and tail. Oh So glamourous looking!
Northern white cheeked gibbon
There were two, in middle distance swinging around the ropes. Then they disappeared from view, only to appear on the glass window in front of us. You could see the details of his paws. amazing.
I took my pencil wrap with me with its 26 or so watercolour pencil colours. However, there were probably just two colours I used all day: Black and Burnt Ochre.
Oh and Violet for the Pygmy Hippopotamus. They are actually a greenish brown/black. I just chose violet. Pygmy hippos share the same general form as hippopotamus but is only half as tall as the hippopotamus. Adult pygmy hippos stand about 75–100 cm (2.46–3.28 ft) high at the shoulder, are 150–175 cm (4.92–5.74 ft) in length and weigh 180–275 kg (397–606 lb).
I am hoping to use my Zoo Member often. Yesterday I was there from 9.00 -2.30. Probably too much sunshine and standing ( I don’t use a chair). It is so easy to keep going as there is always something more around the corner.
It has been a while since I walked through my local Gardens to do nature sketching.
I collected all those lovely shells at the Gold Coast and was given a box of lovely nature objects, as well as finding dead insects. So many things to draw, but all stay at home.
This weekend I was handed the opportunity to get out and about with TWO online Nature Sketching Journal Clubs. First Melbourne with AmyDiana and then on Sunday Brisbane with Bethan Burton. They both followed a similar format of a tutorial and guidance and then we went out “in the field”, whether that was your houseplants, back yard, for me Fitzroy Gardens. There were people from around Australia and the world !
Thirty or forty minutes out, sketching or writing or whatever you were comfortable with. For me, it is sketching. It felt So good to be out. Then back to talk about our experience and what we noticed about our environment and ourselves.
Part of nature journalling is curiosity. I often wonder things in my head, but in these sessions I tend to write them on the page and actually follow them up by researching online. I have been in Melbourne for seven years and have always wondered about the markings on the magpies. I have been drawing them for years (see them here ) and did notice the difference between Sydney and Melbourne.
And now I know because I looked it up! basically
The two most easily distinguished magpies are the black-backed magpie & the white-backed magpie (in which there are nine subspecies) The Black-backed Magpie New South Wales, Queensland, South Australia, Northern Territory, Western Australia The White-backed Magpie Victoria, South Australia, Tasmania, Western Australia.
Males: Males have a pure white on the back of their neck with no grey. Females: Females have grey and speckled feathers on the back of their neck
On Sunday I joined the Brisbane Online group. In a similar format, this time the discussion was about Zooming In and Zooming Out. Zooming as in close-in and long shot, not what we call zoom now.(for meetings)
I chose a Moreton Bay Fig. I would usually draw the tree trunk (as I just love them) and then focus (zoom) in on some detail, maybe some lichen or fold in the tree. This time I chose to Zoom Out and show the tree in context, with other trees around it.
Once again. Once again, a lot of writing down the questions in my head. I was curious about the vines that dropdown. It seems that the Lord Howe form of Moreton Bay fig has a habit of dropping ariel roots from its branches. The type in the Fitzroy Gardens does not have the vines. I lived in Brisbane for many years and remember the New Farms Park Moreton Bay Figs – amazing.
I am looking forward to catching up with another online session. In-person would be amazing. One day…
I was looking through my sketchbook, deciding what to write about and show this week.
I am choosing pages that document a bit of my life. I don’t sketch everything, although it may seem as though I do. Sometimes I make a deliberate decision and other times it is just grabbing an opportunity. That is why I carry my sketchbook and watercolour pencil wrap with me everywhere.
I was very pleased and proud of myself to begin swimming again, I had to document that! I have been swimming almost everyday, but decided not to draw my swimming togs everyday. These sketches were semi-planned. I knew what I wanted to draw. YOu may have noticed that my sketching style is often the “unfinished look”. This often means I do not sketch a complete object. You all know that these are swimming togs, and I don’t have to have the full object on the page. It also meant that I did not have to add lots of solid colour for the blue of the togs or the black of the swimming caps. I can let them fade away at the edges. If I focus in on an area, I can also include more detail, which I enjoy.
I also went into the city for my Booster shot. It was at the doctor’s surgery so there were not a lot of people waiting. This was in my 15-minute wait after the shot. I did not know how long the people would stay sitting until their names were called. I just grabbed a bright coloured pencil and sketched them. Once again, documenting a moment with a passing opportunity. I would have added more detail if they had stayed longer.
This sketch below was more thought out. I attended by Zoom (we are all working from home) farewell afternoon tea for a lovely colleague who is retiring. It was BYO coffee and cake. I could have drunk from my normal cup and eaten something ordinary. I knew that I wanted to use and draw this lovely plate and cup set which I recently bought. I also bought a beautiful sweet treat that looked lovely on the plate. (I don’t eat sweets, so I did not eat it. ). The afternoon tea was very special. I drew this in the evening. Once again, I have the unfinished look, but you get the idea. I call this a drawing and not a sketch, as it is more studied. I make up my own rules on this!
I hope that this has provided a little insight into what I sketch, how I sketch and why.
All using Faber Castell watercolour pencils. Let me know if you have any questions
Why do you sketch what you sketch? is there a theme?
I recently spent four days at the Gold Coast, Queensland with friends. This involved daily walks along the sand. There are long stretches of beach, although most were closed to swimming due to the rough surf conditions.
Different stretches of the beach had different accumulations of shells and seaweed and other interesting things. Palm Beach was great, but close to Coolangatta and Greenmount, the beaches were empty of shells. The changing underlying sandbanks and rips make a big difference to the waves, and what they bring in.
As a child, on rare beach visits, I would be looking for the perfect shell. However, now I am so happy to discover interesting fragments. As a sketcher, their variety, shapes, and character are fun to draw with my watercolour pencils. They are also a tease as to the amazing whole shells that maybe be so close to shore, before being broken up in the ocean.
I collected about a dozen fragments, some sponges, and a small crabclaw.
The crabclaw NEEDED to be drawn straight away as it was SO smelly. It was 3cm x 3cm and I sketches it from different angles with my Lamy Safari Jy ink pen. I then put the crabclaw under my magnifying glass and had great fun looking at the detail and colour.
With all of these drawings from natural objects, my aim is to capture the character, not to create a still life. I try and show the impression of detail, without going into scientific detail.
I love the way that watercolour pencils allow me to build up the cours and then also add hard lines for detail.
