Category Archives: Urban Sketching Symposium

USK Barcelona DAY 1 Marc Taro Holmes

My afternoon workshop on the first day was with Marc Taro Holmes
I’ve already written about my My DAY 1 morning workshop with Luis Ruiz

Workshop N 4- 7 pm

Instructor: Marc Holmes
Location: Rambla del Raval

Here are Marc’s Notes (click through to a pdf of Marc’s notes from the workshop):

The main thing to remember about drawing people in action is this: They are going to move before you’re ready. It’s inevitable. Real life never holds a pose. Once you are ok with that, urban sketching begins to open up for you. If your drawing process requires subjects to sit still, you will never be able to draw anyone outside of a subway car or cafe.

 
This workshop is based on capturing everything you need quickly – in mere seconds – and completing the sketch before your visual memory fades.
 
It helps to have a plan – a systematic approach – to avoid dithering about what to draw next, or how to draw it. We’re going to practice a method of working where each step adds information to the step before, always moving toward a finished sketch. Your subject can walk away at any stage in the process, but you’ll be able to finish based on whatever you have captured so far.
We will practice four simple steps, in this order: Gesture > Line > Blacks > Color

You can also think of this as: Pencil > Pen > Brush (Pen) > Watercolor
 
PART ONE
 
Our group started in a café (which was very empty due to rain, which got heavier and we had to find somewhere more sheltered) .The café sketch of a nearby diner started in pencil and then moved to pen and I had time to use my new Pentel Brush pen to add dark areas.
 
 pencil, pen and brushpen
PART TWO
 
we quickly walked to shelter  to continue

 
We learnt about sketching people as they walked towards us. You only had seconds to capture the essence of the person in a few lines on  paper before they either walked passed you or turned a corner. It took a few pages of seemingly meaningless scribbles to start to get the feel of how to try and get those important lines on and to feel a little more comfortable with what we are trying to achieve. I did 11 pages of “people walking towards me” sketches.
You also learn to pick your subjects – people who are walking slower are good !
pencil sketches and then one with pen and brush pen added – and the rain added
We then learnt to add further emphasis and detail with pen after the subject had moved on
 
The final part of Pencil > Pen > Brush (Pen) > Watercolor is the colour – oops  -In the above sketch I had used a pen of soluble ink  (instead of non-soluble).It certainly had an  interesting effect  and got lots of likes and comment online. But perhaps the drawing of a old woman, carrying a fan, cigarette in mouth is interesting however it is sketched-
and it was challenging as I used watercolour paint – and I haven’t done this …I usually use watercolour pencils

MY TAKEAWAYS from the workshop

  • I don’t have to finish the drawing just because subject moves on. As long as I have the essence of lines on the page I can continue

  • Drawing people walking towards me is a new challenge – aaarggg – I thought I was pretty savvy stalking people, drawing them as I walked behind them . This is a new challenge
  • You don’t have to draw legs. My figure drawing experience comes from life drawing lessons, where you always put the feet in to ground the figure. If you have the basic lines or essence on paper it can be enough to capture what the person is doing

 

USK Barcelona DAY 1 Luis Ruiz Workshop

The Urban Sketching Symposium is a three-day workshop at which artists from around the world meet to draw and learn together in the host city. It includes field sketching sessions, lectures, panels, exhibits and artists demos. Symposium participants get one-on-one interaction with local and international workshop instructors coming to the host city from every corner of the world.

Barcelona was the host city of this year’s event in July. Past Symposiums were held in Santo Domingo (2012), Lisbon (2011), and Portland, USA (2010)

Urban Sketchers, is a non-profit organization dedicated to raising the artistic, educational and storytelling value of on-location drawing, promoting its practice and helping sketchers around the world connect with each other.
In Sydney on March 25 in Sydney Liz, Chris & I synchronized our watches and stayed up til midnight to be one of the 150 participants to register and enroll in the workshops. Lots of emails between us all and Esther in Edinburgh ! But what a buzz

Symposium attendees chose up to five urban sketching workshops out of a rich menu that covers a wide range of subject matter, including perspective and architecture, picture design, storytelling and reportage, color techniques and more.

 What workshops I chose and why

Each workshop was well described on the website before and had stated goals In the end I successfully enrolled in workshops that I thought would help me build and grow my urban sketching knowledge. There were instructors whose art and blogs I had enjoyed and admired so much. However, some of them were teaching workshop themes that I did not want to learn in those three precious days. I managed to say hello to them at some time during the Symposium.

I took something valuable away from each workshop I enrolled in . It may not have always been the main aim of the workshop (sorry instructors) , but I took something away. I heard it described a “CLICK” moment and I think this sums it up – Either confirming. establishing in words something I was aware of, and tightening it up, new concept -opening my eyes.

There were also pre-workshop Panel sessions, Demos and Lectures from 2-4pm . I made a decision for my health not to go to these but instead to go back to lovely hotel, relax and rest my feet and head–.I also was going back to the hotel at 9pm when others were heading out to dinner. It was the best choice for me.

Here are some short (3-4 min) YouTube videos  I found online that show  the Urban Sketchers Symposium. They give you an idea of what it was like ! Brilliant

Now  that I am home it is up to me to put all the my Workshop experiences into practice. Some of the CLICK moments I can see on my pages or I know that I when I am applying it in my drawing.

My extraordinary experience

DAY ONE

Day One began by going to the central CCCB centre and collecting the Symposium sponsor (ie goodies) bag and necktag with name in BIG LETTERS. You could spot a USK-er in the street and chat to them

.
 

We went back to our hotel to drop off out bag and I really didn’t get a chance to look though it properly til I got to London four days later) I had decided to use my usual Moleskine watercolor sketchbook everyday and do my workshops sessions a in a sponsors book, a specially embossed Stillman & Birn Heavy Weight Paper 150 gsm Ivory sketchbook that would take my watercolour pencils (the known) while learning the unknown. I did not want to challenge myself too much at once !

Then back to the Auditorium for the Opening Ceremony – a wonderful a warm welcome from the panel and Swasky. 

The we all headed  out to the  CCCB central forum that we would get to now so well. You then looked for your Workshop letter held in the air by the Instructor .

The workshops took place in emblematic Barcelona squares, streets and other public spaces such as Plaça Reial, Mercat de la Boqueria and Rambla del Raval, to name a few. Each workshop took 3 hours and was limited to a maximum of 17 participants) Each day had wonderful weather (except for that day it rained) It was 26 degrees – hat and sunburn cream each day.

DAY ONE AM

It was a thrill to be in the wonderful Luis Riuz’s workshop
I wish I had taken more notes on paper on the day, but I was too busy living the moment and soaking it all up.

Workshop I 10 – 1pm Actors and Stage
Instructor: Luis Ruiz
Location: Pla dels Àngels, MACBA

 

Description

Drawing in an urban context means being exposed multiple stimuli; the city is a complex environment from the visual point of view. You cannot capture on your sketchbook everything that is going on. It is perhaps preferable to select some story that has caught your attention and is worth to be told. The street and its architecture are the stage, and there each actor plays a role. And… actors are not always people! A building, a van, a dome or tower can play a role too.

  

Learning goals

  • Selecting what is important and what can be left out of the drawing.
  • Using the empty space of the paper as an active element.
  • Capturing the depth of the urban space: Actors play their role in the scenery.
  • Avoiding getting lost with the details. Do not draw everything!!
  • Leading the watcher’s eye to the desired place of the sketch

My Workshop Sketches

selecting what is important




Avoiding getting lost with the details. Do not draw everything!!

My Takeaway

Repetition – when sketching buildings down a street- don’t get lost in the details. Getting lost in the detail of architecture is something I struggle with and I now have a methods to put into place. For this sketch I did not even count the number of balconies and windows. Of course Sydney streets do not have those long buildings of Europe, but it is the concept that I can put in place.
 
 
 

 

The sketch above was THE BEST one hour –very self indulgent. At first, I thought that the washing and balcony was the feature of the little street, but it I realised it was the people in the street leading the eye. After getting the tight perspective right I added the people, then the repetition of he windows and balconies . Everything help directs the eye

 
 

Then we looked at each other sketchbooks – Amazing art by everyone!!
Then tapas lunch for all. I sketched mine of course (it was Esther’s as well, so she was patient to wait)

 
 
 
 all of my Barcelona sketches are on flickr
 
 

 

 

return from holidays

I have returned home after three weeks holiday in London and Barcelona.
For those who have been following my blog, you will be aware the BIG lead up and trip prep that occurred – including the weekly “drawing on an envelope” to my mum, who was my travelling companion and lives interstate, here is the notice board at her house with all my envelopes pinned on it.
 
all of my weekly envelopes to Mum from the 10 week countdown
The holiday exceeded all of my expectations and was filled with amazing experiences, sights, people, events and sketching.
 

Here we are in London outside the National Gallery – permanent grins on our faces
 
 
 
me sketching the Royal Albert hall from the steps in front of the Albert Memorial
 
I had always planned it to be a sketching holiday and much of the lead up was about my sketchkit,  as well as being a tourist and going to the Urban Sketchers Symposium in Barcelona
I filled two Moleskine watercolour sketchbooks with sketches on my three week holiday.
34 pages in Barcelona and 86 in London.
I have scanned and uploaded the Barcelona sketches and photos to flickr and USK BCN facebook photo album .
I will put a few up here on the blog

from the wonderful Luis Ruiz Workshop “Actors and Stage“



and lunch after the workshop – Tapas



Santa Anna 13th Century church – sketching early one morning before a Workshop



About 250 of us gather at the Barcelona Arc de Triomphe for a group photo & sketch

Sketching doorways on my own
 
 
I have lots of other blog posts to come.
  • My sketchkit and travelling – lessons learnt
  • London sketches
I am not sure about how to go about releasing my London Sketches . I may do a few at a time chronologically through the trip. It is a lot to scan and add commentary and a lot for people to read.

UPDATE all London sketches are being put in the SET one or two a day
www.flickr.com/photos/alissaduke/sets/72157634899452853/

I hope you enjoy sharing my adventure  .It was truly amazing

Barcelona Urban Sketchers Sympoisum preparation

With less than two weeks til we fly from Australia to the UK, trip preparation is down to specifics. I am spending two weeks in London and also a week in Barcelona to attend the Urban Sketchers Symposium

We had a Barcelona meeting Tuesday night in Sydney – Liz, Chris, Shantele (who especially travelled from Lismore)  and I are all going. We talked travel, paints, and asked Liz questions about previous USK Symposiums that she had been to, and what we can expect.
 
me, Chris, Liz and Shantele
 

Over the three days of Symposium we have to opportunity to enrol in five workshops from a long and exciting list. The workshops take place in emblematic Barcelona squares, streets and other public spaces and each workshop takes 3 hours.  From the descriptions supplied , I enrolled in workshops that seemed to offer me the most to learn and grow in what I already do.  Although I am also looking forward to being pushed outside of my comfort zone. And I fully expect it!

Most of the workshop I am going do not require me to buy any special equipment – except Marc Taro Holmes Drawing People in Action  I have most on the list apart from paints(which are being kindly lent to me) and the Pentel Pocket Brush Pen. I could not find in Sydney, ordered it online from the USA and mailed FedEx Express International, so that I would receive it in a few days. I wanted to actually test it out it before I arrived ! I am glad I did as it will require getting used to and be fun too.
Pentel Pocket Brush pen

 

It has cartridges of ink that flow through the brush tip, which is harder than a paintbrush, but still has give in it to be able to make the variety of thick and fine lines.  These are my first test marks at the side of the page. My trip preparation included drawing my pen – lots of black !

 
When the pen arrived, it was highly over packaged  (for a pen) –  and all the packaging was not for protection  as the pen was placed on top of all the padding ! I then found where to buy them in Sydney city. At least I will know where to get refills!
 
an overpackaged pen
 
This week in the mail I also received my business cards and postcards that I had ordered through www.moo.com.
The Symposium organisers (and Liz) advised us to bring some to the Barcelona to be able to exchange with all those many many sketchers we meet.They suggested business cards with our work on it, postcards, bookmarks (with our contact details) . Some bring their self published Blurb books, zines and stickers and buttons were also suggested as a popular giveaway to all our new friends
 
 I choose to have some of my gumleaf drawings printed on postcards and a few of the Sydney Harbour Bridge too – very Australian ! And I have many business cards which have my pencils drawn on them .I am so pleased with how these look – so professional !

 

 

 

Urban Sketching Symposium in July

The 4th Urban Sketchers Symposium  is  being held 11 to 13 July  in the city of Barcelona this year.
And I am going !!

The Urban Sketching Symposium (USK) is a three-day workshop at which artists from around the world meet to draw and learn together in the host city. It includes field sketching sessions, lectures, panels, exhibits and artists demo

The event is organized by Urban Sketchers, a non-profit organization dedicated to raising the artistic, educational and storytelling value of on-location drawing, promoting its practice and helping sketchers around the world connect with each other.
Three  months to go …
For me, (I work as a Researcher in my day job) the preparation for a holiday is an exciting and important part of the adventure. Yesterday, I borrowed some travel books from the local library. I am only in Barcelona for a short time and I imagine that I will be swept away by the workshops and meeting so many people .However I wanted to look at books and maps of where we will be out and about sketching and  staying and read up the city.

The planning begins
I don’t actually look the drawing I have made of my new look. No one would recognise me from this, but the haircuts look like that – you get the idea



However, the majority of my holiday is in London, so I also borrowed lovely books on London to read. I have been there a few times and love it,  but it is so exciting to borrow the books and to start reading them. It feels like the holiday has already begun. I already have a bit of idea of what I want to do in London and I hope to even meet up with some UK sketchers. Of course,  I will be sketching my entire holiday continuously in  my sketchbook journal.

I am reading Danny Gregory’s “Illustrated  Journal” for further inspiration (as if that was needed!!)  and looking back at my recent Sketchbook Project “Paris 2007” as well.   
Last Monday three sketching friends & I stayed up til midnight Australian time to register in the USK workshops in Barcelona. We then spent half n hour on the phone to each other on a high of excitement
The workshops were full in two hours and registration closed. I am sorry that people missed out. It is obviously becoming a more well-known and sought after event each year.  For those that will be there – I am really looking forward to meetng you.
Attending this Urban Sketchers Symposium has special meaning for me as I had booked and planned to go the 2nd Urban Sketching Symposium in Lisbon in 2011. 
 I then got very sick and had to cancel (see my hospital stay drawings in the tab above or the full set on flickr) .However, I was honoured and overwhelmed when on her return from Lisbon, Liz Steel presented me with a mini Moleskine she had organised . It was filled with sketches made on location by many of the participants and instructors – these  people I want to meet and thank. You  can look through the whole sketchbook  and the lovely flickr comments I received. I get teary when I look at it.
But looking forward to this year, already we have had a few discussions , with hints and tips from Liz (as a seasoned Symposium attendee and instructor)  to Chris & I  about how approach the days and make the most of our time there.  And we have been asking her plenty of questions. The most difficult part of the Urban Sketching Symposium will be now to meet so many people in just the short space of time!