sketching a Melbourne laneway

Melbourne’s laneways with their street art and coffee shops are on the tourist ‘list of things to do’. They are great ! But I like these other older working laneways.

Cnr Little Collins Street and Baptist Place, Melbourne

Cnr Litte Colins Street and Baptist Place, Melbourne

I did some sketching when I had time to fill in before an appointment. I stayed around the area where I had to be and looked up, down, left and right for inspiration. And then I had to find a scene AND  with somewhere to sit and draw ! I sat on the  stairs of a doorway of a company that was closed on weekends. It was directly opposite the laneway I had been inspired by.

I knew that  I had 25 minutes to sketch and that I had to get the proportions and perspective correct quickly. Usually I start a drawing and measure  (holding pencil out in front of me) as I draw on the page directly with my watercolour pencils. However when sketching buildings I know I need to do a bit of mark making in HB pencil on the paper to note where important points are. Sometimes I end up with A LOT  of little marks on the paper. I often forget why I  have put them there.

Here is a rough overview of my thought process of sketching this laneway. (I wish I had taken an earlier photo, after about 10 minutes, instead, this is after 25 minutes.) It makes sense to me.

measuring relative proportions

I started with the parked van as the focus of my measuring . This was because I noticed that there were many similar measurements which I could use to mark out the paper. I have noted with arrows the measurements I used . After I made the marks I drew some horizontal and vertical lines, where tops/bottoms of some doors and windows were on the same line on the page.

Then the van drove away, so it was just as well I had got those lines down! These are the joys of urban sketching.

I started drawing the the vanishing point lines  for the angle of the windows and driveways.

I then finished with the HB pencil and used my watercolour pencils to build up the lines and colour. The main colour used is Faber Castell Light Yellow Ochre. The other colours used were Paynes Grey, Earth Green, Cool Grey IV and Schwarz Black.

I added water to the page with my Kuratake waterbrush, spreading out the colour.

My 25 minutes had flown by and I had to leave. I could have taken a photo and added more details and competed the sketch at home. However I really enjoy drawing on location and wanted to go back to my place on the stairs. Also, as an Urban Sketcher I follow these guidelines (when I want to post the sketch on the Urban Sketches online pages)

We draw on location, indoors or out, capturing what we see from direct observation.• Our drawings tell the story of our surroundings, the places we live and where we travel.• Our drawings are a record of time and place.• We are truthful to the scenes we witness.• We use any kind of media and cherish our individual styles.• We support each other and draw together.• We share our drawings online.• We show the world, one drawing at a time.

After my appointment I returned to the same place on the starirs and in the final 20 minutes  I  built up the page with more colour and added fine lines, without adding water. I reached a stage, where I was pleased with the result, colour, amount of detail and final scene.

online drawing challenges

There are many, many online art challenges available for anyone to participate in on websites, blogs and facebook. They are fantastic sources to inspire and motivate. Most of them  you can dip in and out of,  but can also use them as a way of committing to drawing. They are also a wonderful way of connecting with other artists online as you each have the same daily, weekly or monthly goal and can you comment on each others pieces. Looking at the various interpretations on a theme can create lots of fun discussion.

I decided to write this blog when I saw that this weeks challenge on the  Illustration Friday website is SLEEP. Here is my interpretation and then below are the other challenges I have participated in over the last few years:

Illustration Friday

19Feb15 Sleep for Illustration Friday http://illustrationfriday.com provides one word to interpret and draw and post online by the end of the next week, when a new challenge is offered. This was an easy  choice when I saw the challenge. This old bear will surely provide a good night’s SLEEP. Here are all of my drawings for the Illustration Friday challenges

Everyday Matters EDM Weekly Challenges scan0022

Everyday Matters EDM Weekly Challenges .Everyday Matters is a group that grew out of Danny Gregory’s blog and books – Everyday Matters, The Creative License and An Illustrated Life –There  is a list of 328 challenges. They were posted weekly on a Sunday from 2009 and the participants added their drawing to a flickr group. I would eagerly await the new challenge each week.  Sometimes I knew exactly what I was going to draw as soon as I saw the challenge . Other times it would take a bit of thinking The list is still available here (to inspire you) Here are all of my drawings for the EDM Challenges.

Everyday in May

3517710918_7c11039eab_z Originally began by “French Toast Girl” with an idea to commit to create something every day in May – a painting, a drawing, a photo, a collage. Then share it. I  participated in 2009,when I chose my own theme of drawing my holiday souvenirs. You can see the whole months drawings here . I had such a great time drawing these and reliving my memories each day. In 2010, 2012 and 2013 I participated in the Everyday Matters in May (EDiM) challenge on flickr, (then a facebook group started as well)  using 31of the Everyday Matter Challenges , as daily challenges In the Month of May. Everyone used the same list. edm27 copy 2013 EDiM – see the rest of the month HERE scan0018 2012 EDiM- see the rest of the month HERE scan0007 2010 EDiM- see the rest of the month HERE I draw everyday, sometimes more than one drawing, It was exciting but tiring to draw  purposefully to the list for the whole month.

Virtual Paintout

scan0011 http://virtualpaintout.blogspot.com.au/ The goal of the project has always been the same; to give artists an opportunity to gather together virtually, and paint or draw in the same area. A city or country is announced by organisor and creator Bill Guffey . The artist must use a view found through Google Street View as the reference for the painting or drawing. So – go ahead join in !

drawing books

I recently started working in a beautiful historic library. I have been drawing a lot of books and library scenes since then and you can see them on my flickr site  here .

This page is all about my latest drawing.

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The works of Plato : a new and literal version, chiefly from the text of Stallbaum. London : Bohn, 1854-1861. 6 v. ; 19 cm.

I draw at work in my lunch breaks  for about  1/2 hour. My previous drawings have all been in my Moleskine watercolour sketchbooks (13 x 19 cm). I have discovered that I really enjoy drawing books and do them well and so I  have started doing them on loose sheets of paper. I wrote a blog post last year on my search and experiments in locating loose sheets of paper that were equivalent to my sketchbook.   Since then I have discovered the perfect paper for me and my watercolour pencils . It is called University paper and I think that it is made by St Cuthbert’s Mill in UK. It is 210 gsm and this page was cut to A4. It was suggested to me by Deans Art in Melbourne.

I decided to draw two of the five volumes in a 1854 publication of The Works of Plato.  These books are only slightly worn, and have beautiful marbling on the sides of the pages and the end pages. (The books I really love to draw are those that are not in the best condition, however they are not a good representation of what is held in the library.)

 Progression from a sketch to a finished drawing

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initial sketch. HB pencil on loose sheet A4 scrap paper

I started with a sketch on a scrap paper to try to get the angles right. This is not my usual approach, as I usually start straight in with the watercolour pencil on the page. However, I know that I find books difficult to draw – getting the proportions right and making them look like they are sitting flat and piled on top of each other. I have almost achieved it with this drawing. (It is hard to tell as these are photos taken at an angle)

The colour variation was not as contrasting as these photos suggest (that is the photography!) . However, I did attempt to match the colour of the book binding and used a mixture of the following three colours : Burnt Carmine, Pale Geranium (both Faber Castell) and Madder Carmine (Derwent), building the colour strength  and shadows over the days. The drawing reached a stage where the colour started to get ‘muddy’, so I stopped and worked on the detail.
book4

I still have to find a method of representing lettering in drawings, both on the outside on the spine and front cover, as well as the print inside a book. This drawing was a bit of an experiment. Instead of leaving the white space of the letters on the page and trying to fill them in with colour (not enough space), I coloured all of the book and then tried to add the words by writing over the colour with both yellow pencil and gold highlighter. I also added white gel pen and then colouring over that with the yellow. None of these were spectacularly successful. I welcome any suggestions and links to examples of words on books.

However, I am pleased that it does give the impression of the gold crest stating that this book belongs to The Library of the Supreme Court of the Colony of Victoria. This shows the age of the book from the collection.

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In 1770 Captain James Cook landed in Australia. In 1835 Melbourne was established. In 1850 the new “Colony of Victoria” (after Queen Victoria) was founded  with separation from New South Wales. At the beginning of 1901, Victoria ceased to be an independent colony and became a state in the Commonwealth of Australia.

This  drawing is almost complete. I will put it aside for a while and then make some minor changes to details. I would like to see it as a print or on a card one day . In the meantime I will begin another book (to draw, not to read)

 

 

Writing on sketchbook pages

I was recently asked “why do sketchers feel the need to add writing? I don’t think you need it. Is it a tradition?”

28jan2015 Fed Square

I have thought about this a few times over the last few years in relation to my sketches/drawings and this seems a good opportunity to put my thoughts in order and onto ‘paper’ , so to speak.

My answer to the query was”

“I describe my sketchbooks as sketchbook journals. It is a record of my observances at a particular time and place. It is a record of my life, I have just started my 50th sketchbook journal since Dec 2008. But when it comes down to it I just LOVE TO DRAW, but I like to give it context.”

Moleskine watercolour sketchbooks

Moleskine watercolour sketchbook

 

I have drawn all my life, but only regularly since 2005 (ish), in any sketchbook I could get. I was then using watercolour pencils and ink pens and graphite pencils. I have continued to use these materials, exploring and building on my knowledge of how they work and the effects that can be achieved. Every now and then I splash out and experiment on a large sheet with charcoal or go to a life drawing class, but in general this is my thing!

In December 2008 I bought my first Moleskine Watercolour Sketchbook (13 x 19 cm). This was a watershed moment in my drawing path. There have been many discussions on facebook groups about the format of a sketchbook (landscape/portrait) and what is ‘best’ and the effect on a sketch. I love to use this format and fit my sketches to the format

I carry my sketchbooks, watercolour pencils ink pen with me everyday, everywhere. Read about what and how I use my drawing material here  There is always the opportunity to draw! I also draw longer studies of objects at home in the same sketchbooks.

The most important part of the page is the drawing but I also like to provide a short narrative. These are my journals of my life. I can look back to a date and see what I was doing (or drawing) at the time. I have captured everyday matters, travel and serious illness.

10jan2015 Kyneton Farmers Markets - Copy3DEc14 princes bridge

The words are not the focus of the page but provide a context and narrative.

There is an excellent book called Globejotting : how to write extraordinary travel journals (and still have a good time on your trip ) by Dave Fox which provides some ideas about what to write about. But I do not want the words to overtake the page. Although sometimes feel like I have so much to say , that I could write for pages.

  • One of my friends thinks I write too much and prefers my pages with few words.
  • Another tells me that they can hear my voice in the words on the page and that makes it even more personal and special and enjoys when I write a lot!
  • People who do not know me and browse through my sketchbooks often comment on the fact that I write notes and are fascinated by the idea.
  • But in the end I ask myself “who are the journals for” – they are for me !

At one stage I questioned drawing on both sides of the page – (it is a topic that s raised regularly on Artists Journal Workshop facebook forum and others. ) I have considered drawing on one side of the page  because of two issues

  • Colour smudges onto opposite page
  • some drawings I am so pleased with that I don’t want to “ruin them”

But in the end I decided I want to turn the page and tell a story. To overcome these issues I have done the following

  • If I have a particularly special drawing,  or heavily coloured drawing that would smudge I put a piece of Baking paper between the pages to protect them.
  • I have started drawing subject that I know I have become good at and want to start drawing on separate sheet – feathers, nests and now books. I want to draw them a bit larger than my 13 x 19 journal size and also potentially have them framed for an exhibition, sell prints and cards. One day soon..

But I will continue to draw everyday, capturing and documenting moments of my life and enjoying every sketch!

14Nov14 Australian black duck

Australia Day

It is Australia Day today.

We celebrate everything Australian !

26jan2015 Australia Day

It is a national public holiday today. Celebrated annually on 26 January, it marks the anniversary of the 1788 arrival of the First Fleet of British Ships atPort Jackson, New South Wales. With community festivals, concerts and citizenship ceremonies, fireworks, music  and barbecues the day is celebrated everywhere around the nation.

I am having a quiet Australia day long weekend. I thought I would post some drawings that I have done in previous years on Australia Day and also some classic Australian animals and birds I have previously drawn. All in watercolour pencil of course !

26Jan14 Australia Day

Australia Day 2014

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Australia Day 2011 – the free bucket hat given away at the park

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Australia Day 2012

 

I had a great time reminiscing while looking back through my sketches since 2008. I have 49 sketchbooks and all of the drawings have been scanned onto flickr (a photo sharing website) . I can search flickr by keyword. So as long as I have described the drawing when I put it on flickr , I can find my sketches on a particular subject. As a librarian , this level of organisation and functionality appeals to me!

Here are some Australian birds and animals  – drawn from real life, photos or at the museum

scan0009

Wombat. Drawn from photos taken in Tasmania. This was the drawing that really set my direction in watercolour pencil sketching. Cathy Johnson included it in her Artist’s Journal Workshop” book and it my viewed drawing on flickr. I discovered I could achieve so much with watercolour pencils

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sketched at Australian Museum, Sydney

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sketched at Taronga Zoo Sydney

 

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sketched at Tarona Zoo, Sydney

 

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lorikeet

sketched at the Art Gallery NSW when the Rainbow Lorikeet sat at our table in the cafe

 

Welcome to 2015

Welcome to 2015 and my new website.

This new year is full of opportunities and promises many adventures.

Like my dishmop drawing (below) I am having a clean out in the New Year.  2015 has started well as I have successfully moved from a Blogger blog to a WordPress website, which you are looking at now. I still have the same address www.alissaduke.com

A clean out in the new Year. Even the everyday is interesting !

You may notice differences on my blog page formatting and I hope to smooth these out over the next weeks.

As well as a blog,  WordPress provides the options of a Gallery (to display some of my drawings in themed groups such as food, travel, nature) , a Shop and more !

I am spending time looking at the process of getting my drawings from the pages in my sketchbook onto cards and prints.

I have been busy spending time working on my website, but have still been drawing everyday – even through a recent headcold.

17jan2015 quail eggs

16jan2015 a cold

fish in 6 ways and other food sketches

Evelyn’s Birthday lunch.

A table spread with fruits, cheeses, dips and breads and much more.
All the people gathered were sketchers, so the food was a focus for many reasons.
 
breads, dips, meats. cheeses
 
Then Angela arrived with smoked trout. 
I drew the trout once in ink, then again in colour, then again bigger and in colour, then in ink……I experimented with drawing some in a larger A4 Jasart 150gsm sketchbook, and with one of the new Tombow pens that I got for Christmas.
 
 I really enjoyed doing these sketches today and felt very creative and inspired . I am sure it was not just the subject matter(the fish), but being surrounded by creative friends an in the right state of mind..
 
He did get eaten along the way …
 
then I moved onto dessert and the view 
Sunnyboys – you have to be Australian growing up in the 1970/1980’s to know these
 
 
 
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My 2014 art goals

2014 has been a very different year for me, full of challenges and changes which have brought about lots of exciting opportunities.

Note – this is a bit of a long post…….lots of words, not so many pictures…..

 In December 2013  my position at work was made redundant. It became clear in the current market, that I may have time on my hands for a while. I took this as an opportunity to focus and invest time into my art !

I have had in mind for a while that I wanted to “do something” with my art. I draw everyday in my Moleskine Watercolour sketchbooks with my watercolour pencils  and/or my Safari Ink pen. I usually fill a sketchbook in 8 – 12 weeks. I felt like I wanted to see it go further and had some vague ideas.

To guide me along I started working with an arts business coach, Vihn Van Lam from ArtShine. I began in March 2014 and we began to look at what do I really want to do and what is important to me and to prioritise my goals.

The concept of Art Licensing appeared to suit my style art of drawing and one of my goals, which is to have my art produced on products. In broad terms Art Licensing is a process where an artist “rents” their artwork to a client to use on certain products. The goal of the art is to enhance the look of a product that they manufacture and sell it to retailers. Products may include everyday items such as dishtowels, stationery, textiles, apparel, dinnerware and more. The intent is that the art will make the product irresistible to consumers, who then buy the product, earning the retailer, manufacturer and me, the artist, an income. 

Here is my art “mocked up” (using Photoshop)  on  trays, coasters 

and a mug


I then used the ArtShine planner to set daily, weekly, monthly goals and met with Vihn regularly to remain focused along the way and get things done!

My Original 90 day art goals were set and completed .
Goal 1.Entered Pyrmont art prize – my two entries – see below

                         
Goal 2.  Completed Jane Davenport’s Print and Scan Your Art Online workshop to learn about Photoshop. I now know a little bit about Photoshop and can do some very basic things with my art.I will probably do the course again to understand more and build my skills. 

After the 90 day goals were completed a new goal was set  

A portfolio of my artwork to be completed by 31st July. 


This goal is nearing completion. This seemingly simple statement has involved many steps and has been a big learning curve. I have been working with a graphic artist to produce a Portfolio that is representative of myself and my art. I have been challenged technically and mentally as I moved outside my comfort zone to work towards my goal. My portfolio is tied into my goal of seeing my art on a product .  

As part of the process I :

  •  Identified which of my drawings would be suitable on merchandising objects, which involved lots of research into products, companies, other artists.
  • Chose images for the Portfolio from the thousands of drawings I have produced 
  • Identified what sort of products my art would suit
  • Wrote artists statement 
  • Had professional photographs taken (thank you so much Maria ! – and Jodi for recommending her) 
  • Identified Art Licensing agents to send my Portfolio to.

And as part of achieving this year goals I have also 
  • Experimented with Photoshop to learn created mock art (see examples above) 
  • Created Facebook Page for Alissa Duke Art 
  • Commissioned high quality scan of three of my art images, ready for professional use.

Along the way life included a move from Sydney to Melbourne in September to start a new job. 

And during the year I have had unexpectedly achieved one of my goals – to see my art on products 

1. pillow & tea towels
The first set of products was created by me, ordering an online product through Zazzle with  my drawings uploaded onto it. It was a learning experience as to the quality of scan to upload (I had enlarged my drawing and it lost clarity when printed on the cloth) .I did not like the quality of the material it was printed on. 




2. Sketch used on Globetrotter Postcards website and business cards . 

I received an email from  from Sam, an Australian  blogger and traveller, living in London and asking to use one of my sketches on her website and business cards.  Wow ! 

3. Drawing used on Christmas cards for the Law Library of Victoria. The Director of my new workplace had seen my lunchtime drawings of the Supreme Court Library and asked to use them for the Christmas cards to go out to other courts, libraries and some judges. It was very exciting to see them arrive from the printers! 

Looking back, I have achieved a lot and am very proud of my year, my accomplishments and the challenges met along the way.

2015  ??? 
I will be sending my Portfolio to Art Licensing Agents and I have some ideas ….. a website, exhibition, markets, Etsy ….

Drawing in books

Last Christmas a good friend gave me a book to draw in.
But it is not a book of blank pages, but a printed book.
In fact it is not a book, it is The Acts of the Parliament of Victoria”  1894, Index 1890-1894. It is A4 size, only 24 pages but bound in hard cover and leather. It was bought at a second hand book store.

 


This gift was both apt and prophetic. Apt, because I have been a law librarian for many years, using the laws in research. But little did any of us know last December that I would move from Sydney (New South Wales) to Melbourne (Victoria) to work in the Supreme Court Library, where Victorian (and Commonwealth Laws) are enforced.

Last December when I received this I immediately knew that I wanted to draw grand and beautiful Parliament of Victoria building in the “Acts of Parliament” legislation.

I sketched some then and have continued this last few weeks. I have sketched on seven pages so far (see below)

 

Inside the front doors -The Vestibule

Floor tiles have beautiful colours and patterns


As a librarian it has taken many years to be able to draw in books. I was ok drawing on scrap paper, flyers, tickets. Then I drew on maps. I have recently bought old published cheap books especially for drawing in.. still working on those projects.

I am still not sure if the of concept drawing in this legislation is good or not. Is it legal ? disrespectful and irreverent ? It probably would have been thrown away otherwise. This is all online now and shelf space in libraries is at a premium. Sometimes it is impossible to giveaway old law reports and legislation. So it is a good thing that I am giving it a new and continuing life…

This pondering deserves another blogpost oneday.