Last week I joined in SBS Life Drawing Live online. This week the UK version of Life Drawing Live was on SBS. It had the same format, great instruction, and challenging poses. All poses are challenging, some more than others. The poses were based on classical works of art. The presenter showed an example and explained its place in art history.
30 second and 1 minute pose. I missed one as I was trying to find out how to view the PoseCam
After last week’s online session, I realised how much I enjoy life drawing and signed up at a local art studio for upcoming sessions. And then the next day Stage Three Restrictions were brought back to Melbourne for the next six weeks, so no going out for a while. I will sign up for their online sessions.
I do miss using the large A1 sheets of paper, standing up at the easel, with messy charcoal in my hand. It is so outside of my usual art practice of drawing in my sketchbook. I will not be able to do that at home.
Six minute pose, But before we started we had to look and observe for one minute. The pose was based on Venus, goddess of love and beauty.Ten minute pose. The pose was based on Bacchus, god of wine
Once again, they are on A4 paper, sketched with a black coloured pencil (except for the sanguine)
12 minute pose.
This cello pose was my favourite. And they played cello music in the background during the pose. I knew straight away that I had the stance and proportions correct. It is such a good feeling. Once you get the basics right you can build on it. I could have spent another half hour on this, adding shadow, and colour.
10 minute pose. based on the story of Narcissus, who fell in love with his own reflection
19 minute pose. based on the French Revolution painting of Liberty, Leading the People. A strong pose by Claire, who had a single mastectomy, and briefly spoke about it HERE.
Last week I wrote about attempting to sketch a live event of a panel. One of the things I mentioned was the unknown time a camera would focus on a panelist.
Last night I joined in with people from around Australia (and the world) for a more controlled event, SBS ( an Australian tv channel) Life Drawing Live. It went for two hours. I was not sure what to expect, but it was really very good. It was interesting enough for those who have never picked up a pencil, or have some or a lot of life drawing experience.
Life drawing is drawing a nude model, who poses for a set amount of time. In this session the poses started at two minutes and the last one was fourteen minutes, Usually a life drawing class will also start with short poses, building up to a one hour (or more) pose.
Two minute pose. My first sketch in many years.
Three minute pose . Focusing on measuring relative distances.
How did it work? I had the tv on SBS and was watching the show. It was hosted by Rove, with five actors/comedians/chefs standing in the room as participants. Each stood in front of an easel, with a large sheet of paper and charcoal. Some had a bit of experience years ago, some with none. There were two well renowned Australian artists instructors who gave short guidance on a specific concept (negative space, foreshortening), before each session, and after the session, the instructors commented on each participants work.
Seven minute pose. the focus was on negative space.
I also had my laptop on and had followed the link on the website to the model posing in the one position for the stated amount of time. Rove and the instructors would talk through the session, so it was listening and sketching at the same time, When the time ended, the pose image would close down, and I would watch the commentary on tv.
Ten minutes. The focus was on foreshortening
In between poses, we were invited to take a photo of our sketch and upload it to social media. Some got shown on the show.
Nine minutes The page was covered with charcoal (if you had it), The focus was on tone and light,
It was wonderful that the show also included short presentations about the history of life drawing, who did it, why, etc. It gave a lot of insight into culture and history. There were also interviews with the models. I highly recommend watching the on SBS on Demand repeat just to hear all of this.
I sketched in a A4 sketchbook with a black pencil. I have done life drawing for many years, although only once since my move to Melbourne. In Sydney, I participated in monthly life drawing classes that went all day. I was a volunteer at the NSW Art Gallery and assisted the classes by setting up the easels, equipment, and room for the model and instructor. The skills I learned in those lessons were the building blocks of my sketching.
I was a bit rusty last night but I could feel that I knew what I wanted to do, although I could not get it down on paper. See some of them on my Flickr site here It reminded me how much I really enjoy life drawing. I ended the night exhausted, but really awake.I look forward to getting back to life drawing in the future. I have signed up for a real-life in person life drawing class in two weeks’ time. At the moment I am only leaving my apartment if I need to. I usually go into areas that are controlled. This will be ok at the class, but I will need to travel there by public transport and I am not comfortable with that. And Melbourne changes day by day and who knows what it will be like in two weeks.
Trove is a collaboration between the National Library of Australia and hundreds of Partner organisations around Australia. Trove provides access to over 6 billion records about Australia or of interest to the Australian community. Trove focuses on freely available digital content created by Australians and held in the collections of Australian Libraries, Archives, Museums, Galleries, University, Research and community organisations.
Search for digital copies of newspapers, Government Gazettes, maps, magazines and newsletters. Or books, pictures, photographs, archived websites, music and interviews. Even information about famous Australians, including copies of letters, diaries and personal archives.Search Trove to locate books and other physical items held in libraries and organisations around Australia.
I use Trove a lot personally for family history and at work as well. The launch was for an updated Trove, including the homepage and landing pages, Collection Features, and more.
It was live online and I decided to sketch it. I often sketch at events and conferences and was not sure how different it would be. It was very different ! I have scanned my sketches as they were done on the night, (apologies to all speakers) as well as the notes I made – quotes from the speakers.
I have only added the names of the panelists (online and live) , which I had to look up after. Usually, when going to an event I will know the names of panellists.
When sketching from an online or tv event, you have no control over the camera, and how long it will spend on a particular speaker. I assumed they would be asked further questions, which some were, and thankfully the speakers did not move position, and I could add a little bit more. When I am sketching on location at an event I never know how long the speaker will be on the stand, but I can get an idea fairly quickly. And I can often still sketch them after they have left the stage and sat down.
I liked the immediacy of grabbing comments the speakers made that connected with me and scribbling them down. Unfortunately, they were written with the soft watercolour pencil and are almost unreadable.
This week I will take the time to rubout and rewrite in pen.
The Director of my place of work – no pressure (also , no likeness)
I then discovered that this event is available to view and therefore available to pause and sketch. I will probably go back and improve the sketches. Capturing the likeness of a person is a skill that requires practice. I have seen this accomplished by some people with just a few strokes of pencil on the paper. I will have to practice and practice this.
I felt a lot more pressure and I did not take in the content of the conversation as I would have when sketching on location. When I attend an event, such as Melbourne Rare Book Week events, I usually sit at the back of the room, listen to the fascinating speakers and sketching is automatic. I usually focus my sketches on the audience (lots of backs of heads of people) and the features of the room (if there are any). In fact, if I am not sketching I always wish I was. This time I was out of my comfort zone and it was learning experience.
Does anyone have any hints or tips of sketching live in these days of Zoom meetings?
I like to draw food with my watercolour pencils. (I also enjoy urban sketching, sketching nature drawings, and objects). I have been drawing my food since I started my daily sketching over 10 years ago. I don’t enjoy cooking and do not have a strong sense of taste or smell, but love the visual. everything is sketchable, however, I have been known to choose my meal for its sketching possibilities.
Over the last few months, I have purchased takeaway dinner from Il Duca, a local restaurant. I bring it home and set up my white table cloth and wine glass and enjoy ! -and also sketch. This week I asked the owner Dom to suggest a colourful meal to order, as sometimes the pasta and risotto are not as visually exciting as other meals.
I was generously given a delicious meal of Lamb Shanks with salad. Lots of colours and interesting shapes (and then sketching the end of the meal). .Enough for two meals for me and more protein than I have had all week !
During the year I usually run a number of Watercolour Pencil Sketching classes in Melbourne. These include food sketching and High Tea sketching classes. They are always great fun, with lots of food to sketch and eat . They are on hold at the moment, but the sketching has not stopped. Food is great to sketch as it is instantly obtainable, you can control it, and (as always) there is no right on wrong.
Here are some hints and tips and my approach
it is not a still life or finished piece, it captures the suggestion of the food
you can write notes on the page about your experience – taste, smell, who you were with and where
just draw the food, not the plate
choose where to add the colour – it does not all have to be coloured in
choose a part of the meal, not all of it
draw on overview or focus on detail
Yes, I eat a bit of cold food! However many meals have repetitive shapes and ingredients. Once I have sketched in the major shapes and the detail and colour of some major ingredients, the rest can be sketched in while eating.
As I am still working full time and also have some commissions, I have not been as prolific in my everyday sketching this week. When I don’t have the time, or brain space I fall into my comfort zone of sketching subjects that I sketching regularly. These include food, objects, the local park. Each sketch is new and exciting, but there is a level of knowledge that I already have. I know that approach I will have, which watercolour pencils I may potentially use, and how I will place it on the page. These are all challenges to think about when confronted with a new and different subject.
I sketched some food. As I do .
I bought some tights. I usually sketch my legs/feet like this when I am in a waiting room. I usually have black tights on and the feature is my shoes. This time the drawing of the legs was in my comfort zone, however, the challenge was the tartan and houndstooth patterns.
Sketching the same tree from March to June. Fitzroy Gardens in Melbourne,are over 150 years old with trees that line many of the pathways. They are a mixture of Australian trees such as Spotted Gum, Moreton Bay Fig as well as imported Canary Island Pine, Canary Island Date Palm, and then the English Elm, Linden, and Chestnut. So, some trees are bare and others are thick and green. It was interesting to see the change in this one.
Have a good week. Happy sketching. Send me any questions you have about watercolour pencils or my art practice. Watercolour pencils are so much fun to use and you can get so much depth and texture on the page!
Ever since I began working from home in mid-March , I have been taking my lunch hour to go for a walk. I am fortunate to live near some beautiful gardens and I have enjoyed walking up and down the various pathways that criss-cross these Gardens. I have been sketching too, with my watercolour pencils.
A few times I have noticed different types of mushrooms at the base of different trees. The mushrooms were there one day gone the next. I took the opportunity to try and capture them on the page.
I have no idea what type they are. In hindsight, I should have been more curious about which trees they were growing under. I do remember that some were under a eucalyptus, which surprised me. The Gardens have a variety of English and Australian trees.
It has been a good opportunity to slow down and observe. By visiting the same place on a regular basis I noticed changes in the Gardens, as the Park crews trimmed, chopped, and mowed various areas. It has been good to see more people walking and exercising and appreciating our local backyard. See more of my East Melbourne sketches here.
I have a detailed fungi drawing available printed on a greeting card on my ETSY store
I’ve written two previous blog posts on EveryDay in May and then my EveryDay in May 4-17 . And now it is 31 May. Here are the rest of my drawings. As you can see they are either in watercolour pencil or my Lamy Safari ink, depending on how much time I had and how I felt on the day. Enjoy!
A lovely end to the last day of EveryDay in May. My iPhone in its little case that makes it looks like a book. Ideal for a librarian! watercolour pencil.
Today is the final challenge for EveryDay in May. It has been such fun. I wish I had more time to interact with other people in the challenge and leaving more comments on their fantastic art and interpretations of the challenge. I quickly realised that working from home did not give me more time to do other things. I had LOTS of projects – both at work, and at home – both art projects and around the house projects.
Thank you so very much for the organisers and administrators. Your time and effort is really appreciated. It has been wonderful to see so many creative interpretations of the challenges
Everyday in May’s challenge on Friday was “a book, a newspaper or a magazine”. I love to draw books, so I could not think of a better way to end the week.
It was a perfect Friday evening after my workday at home. Add to that, a delicious take-home dinner from a local restaurant and a glass of wine. I choose a book with the most worn spine label, plus it had a marbled cover.
Here are some “work-in-progress” photos that I remembered to take.
and here is the rest of the table.
See more book drawings in my Flickr album. And I have some of these available for purchase printed on greetings cards on my ETSY online shop. Below are just some of them !
I mentioned in recent post that I was taking part in EveryDay in May sketching. There is a list of an object for everyday and they are posted in the Flickr and Facebook groups.
Here are my sketches since that post. As you can see, I have used a variety of styles. Sometimes just in ink and other times watercolour pencil. It depends on the day and how much time I have.
It has been fun and interesting to see everyone’s interpretation of the object /word of the day. There are also so many different styles, techniques and marks on the page. There is no single way of drawing/painting.
It seems nice to end the page boiling my kettle with a teabag for a cup of tea.
This week’s blog is a complete experiment. I have added a sketching video. I am not sure if you will be able to open the link to the blog or play the video. Below is the final sketch and then the video.
It’s funny that I did not sketch as usual as I felt under pressure when doing this I also tried some new watercolour pencil colours, which was not a good idea, Too many new things at once.
If you can’t see the video, maybe next time. It is a lot harder than I thought. I have been meaning to film myself sketching on location for a long time. I would love to be able to share with everyone how a sketch comes together on the page, whether it is at home or on location. It would be good if you could “stand over my shoulder” as I sketch at a conference or in a park.
I don’t plan on getting too technical or investing too much money. The challenges and steps I worked on last night and today have included the following. (I will build upon or change these)
using iphone Camera on Time-Lapse
2. using a tripod. I bought a cheap Manfrotto [pro-master] tripod at a camera store at the end of last year. – problems – the shadows on the page, the tripod leg in the camera shot. I kept knocking the tripod legs
3. learning to use timelapse. I switched it on and off and ended up with three short videos. I searched to find out how to join them together . I downloaded the iMovie app to do this.
4. but it was all upside down, so more searching to learn how to rotate it (you use fingers on the screen on the video to change it)
5. how to transfer it from my iphone to my laptop . Use Dropbox, which I thankfully already had set up
6. how to put the video into my WordPress site for my blog. This is where it may all fall down as when I send out my blog not everyone may be able to open the link or run the video. Please let me know if you can or can’t. This is such a steep learning curve for me.
if you have any hints or tips on how I can do any of these please let me know.
