International Nature Journaling Week1-7th June 2023
It is halfway through INJW International Nature Journaling Week. I am providing the information below from their website, as I cannot explain it any better !
“This year we will be taking a ‘Sensory Safari’,focusing on the delights that are available to us when we pay close attention to our sensory experiences.We will also have a theme for each day during the week to guide our focus. The daily themes will be:
Colour
Texture
Aroma
Song
Flavour
Movement
Heart
“Explore the website – there is lots to discover! You can Start Here and then find out How to Participate in the week. There is a page forParents & Teachers, one for the Reluctant Artist and a page on sharing the Written Word in our nature journal pages. On the Blog you will find posts from nature journalers around the world, sharing ideas and knowledge on different aspects of journaling. The Books & Inspiration page will point you to books and websites where you can learn more about nature journaling and nature connection.”
Two of my sketching friends are some of the Administrators of this amazing week. There is so much to learn from watching the daily interviews and explanations. Congratulations to everyone involved in organising this special week.
I am not sure how I will interpret the last three prompts
There are hundreds of online art challenges that you can get involved in. They sometimes involve themes, lists, timeframes, and media. They motivate, inspire and challenge and people get involved in different ones for different reasons.
I have described some below and added links to the sketches/art for you to browes if you are interested. I have had a great time putting this together as it brought back so many memories.
I have been involved in a few and have enjoyed them immensely. I am writing this blogpost now as one of them has come full circle and some of my Sketchbooks that have been in NEW YORK for a few years have now come home I will share the Sketchbook Project adventure and talk about some others.
Sketchbook Project
Since its founding as a non-profit organization in 2006, the Sketchbook Project grew to include over 50,000 artists’ books, which have been contributed by 30,000+ artists from over 135 countries. Each book is 5″ x 7”, with 16 blank pages and a unique six-digit barcode, for cataloging and tracking purposes.
THE IDEA- sign up for a sketchbook and you are given one of many themes and can interpret it any way you want, as long as the book is returned the same size so that it can fit back on the shelf in Brooklyn Art Library in New York.
They were housed in New York and some were included in regular pop-up tours around the US. Mine even toured Australia and I saw it! You could borrow a book (specific or random) to browse on-site and would be given ones either side of it from the shelves. That way you got to see lots of people’s interpretations of the same theme
After 17 years, hundreds of thousands of book checkouts, over 50k sketchbooks created, and thousands of miles traveled, the Brooklyn Art Project is now closed.
On Monday, February 28th, 2022 the moving trailer that was transporting the entire Sketchbook Project collection from Brooklyn to St. Pete was in a devastating accident Around 70% of The Sketchbook Project collection was saved through the heroic efforts of local volunteers, firefighters, and community members from a nearby church who so kindly moved each box of books one by one into their parking lot. They lost around 7,000 books from the collection. One was mine – Travelogue. But I do have the scanned version and I have printed it as well.
Last year, the wonderful volunteer team decided that it was “No longer financially viable.” to continue. The books were distributed to other galleries. I decided this was the moment that my sketchbooks came home.
I revisited my Paris 2007 holiday, as if I was sketching as I do now ! .. and of course planning how would approach future travel sketchbooks. I sketched from photographs.
Sketchbook Project 2012 : Sandwiches. I decided to draw the memories of my Primary School sandwiches (1970’s Australia). I had such FUN doing this one. I researched original packaging from the time and chatted with my brother and mum to see if my memories were the same as theirs!
I interpreted this literally – going to the zoo and sketching and photographing elephants and then drawing them in rooms.
EveryDay in May
Another challenge – this one is still going. A list is posted on the Flickr and facebook page on 1st May and you draw one item on the list (see below) every day in May until you finish on 31st May with number 31.NO stress if you miss a day – just go on to the next one and catch up if you can. It is ok to combine a few, or to jump around if it suits…but the ideal is to do the right one on the day like everyone else….but most importantly have fun! This was and still is a wonderful project.
I had to go back to the Archives and found this description on Liz Steel’s website
Started originally by French Toast Girl, the idea was to do something creative every day for the month of May. The first few years that I was online, everyone in the Everyday Matters(EDM) group did a different thing ( The daily discipline was great.Then in 2010 a few of us in Sydney were chatting and decided we would draw the same things – using the EDM list for inspiration. There was only a few people doing it, I managed the list manually on my blog – wow – those were the days! It was so much fun to see everyone drawing the same thing each week, and the great thing about the EveryDay Matters list is that a lot of them are prompts rather than specific objects so you have the chance to be creative.
Illustration Friday was a weekly illustration challenge. A topic was posted every Friday and then participants have all week to come up with their own interpretation it was at www.illustrationfriday.com/
Below is my response to Paisley
I prefer to call them projects rather than challenges. I love a project and a deadline ! They can be individual however being involved can also connect you to a larger community.
All of these started in 2009. I started adding photos and then scan of my art to Flickr in 2008. It must have been a time when I was looking for creative outlets. We had Sydney Sketch Club, but Urban Sketchers had not started up in Sydney.
Three Sydney friends & I used to meet once a month at a food court in Sydney to work on our Sketchbook Projects. We still kept meeting after some had decided not to continue. We still meet now on Zoom and I write the meeting in my diary as SBP (SketchBook Project)
EveryDay in May – posted to Flickr (a photo sharing website) . I am still in contact with some of the group from 2009 and Mum participated each year too. The only time of the year she sketched It took a few days for her to warm up but she was great !
Giraffes was a great project – Mum drew more than me!
I don’t do as many challenges anymore as I have so many art projects in my life. International Nature Journalling Week starts on June 1. I will be focusing on their broader prompts and themes and thinking a lot more, rather than responding to a subject/object.
I had the opportunity to sketch at Lyrical Lunchtimes, a concert in the Supreme Court Library in Melbourne Victoria. There is a piano in the Library, belonging to a previous Chief Justice and it is played on special occasions – like last Friday.
The music program was presented by a group called BottledSnail Productions, who all work in the legal profession.
I have sketched these concerts in the past and they are always a challenge. There is always a variety of musicians and it is visually overwhelming. There were seven performances in the concert, which went for over 1 hour 15 minutes. This means that the performers are not “on stage” for long.
You will see below that I did some quick sketches as well as one major sketch. I had a different approach this time. Firstly I sketched in watercolour pencil and not ink pen. I usually use my Lamy Safari Joy Ink pen to sketch the people at events and then add watercolour pencil.
My second change was to block out the main features before the concert began. I work in this library, so I had the opportunity to walk around the room on the day before and look at the different viewpoints, trying to imagine chairs in place and guessing where the musicians may stand. Below is a view I rejected – too much floor space from an angle that may not have guaranteed a good view of the performers. I sketched out the major features on the page, so those lines were in place before the concert began, and I could start with the audience as they took their seats.
Below is the main sketch halfway through. I had to decide what areas to colour or add detail to. I had the choice of:
the audience
the musicians
the surroundings – there is much more I could have included, more portraits, a large gasolier in the center
a combination – the decision I made
I moved from one side of the room to the other, quickly sketching some other musicians before moving back into ‘my space”. I was standing up against a bookshelf, leaning on a reading shelf. I am quite comfortable with the style of these quick sketches as these are what I usually do. The background takes a lot of time, however as I had the basics in place, I did not have to spend so much time on that.
There were four pianists. I captured two up close and one in the main sketch.
Beautiful music, beautiful surroundings, and I got to sketch it! A wonderful way to spend a lunch hour!
I have spent a lot of time drawing this building and its book. Some of those are available on greeting cards on my ETSY website!
I was asked by Marie (on Instagram) if could film my drawing autumn leaves.
Below are two videos, slowed down to as much as I know how to.
I am still learning about filming and editing. I am also very ‘aware’ that I am recording and conscious about how I draw. The result is that is probably not what I would do without being under this pressure I put on myself.
However, the technique and process are the same.
One day, I would love to record and give commentary along the way. This time I was mentally making notes along the way of things I wanted to tell you.
First step, collecting the wonderful autumn leaves yesterday along the street in my suburb in Melbourne. I choose them for their colour and size, so they would look good on the page. The leaves had already dried and changed overnight. By tomorrow they will probably all be crinkly and crisp. Still fun to sketch but the vibrancy will have gone from some of them.
I choose which of my collection to sketch and got out my pencils to have within reach. Sharpened pencils, clean water and I was right to go.
photo of my table top before I started
I love to draw and the first joy is to sketch them out on the page in a colour of the leaf. I don’t do an initial sketch with a HB pencil, just dive straight in. This colour becomes part of the leaf colour. With so many colours on these leaves, I could have chosen from a few colours.
I then add colour to some major areas of the leaf. With watercolour pencils (like watercolours ) you can’t put light colours on top of dark colours. If there are any areas that are going to be yellow, orange, or light green (in this case) they are put in early. The big blocks of darker colours are added.
You can see how I use the pigment on the page as a very small palette, dragging the colour across an area with the paintbrush, so that they fade to light tones.
That is one of the things that I teach in my Watercolour Pencil classes – discovering the range of colour and tones you can get from the one pencil.
The other thing to note is how the colour of a pencil can change once water is added. Sometimes, but not always, it can become very intense.
These are two great reasons to practice and play with your pencils. Have fun, explore and scribble on the page!
I move between the two leaves as this allows one to dry while I work (is that the right word? It is not work at all) on the other. Once an area is dry, I can add more layers. It will either be more of the same colour to make it darker, or another colour. For example, the Grass Green. As I add more to make some areas bright. I also added Pine Green ( a darker colour) to add specific detail or darker areas.
Here is the list of FaberCastell watercolour pencils that I used in the first video.
Magenta
Caput Mortuum
Deep Red
Orange Glaze
Naples Yellow (this is not in my everyday sketchkit, but was out on the table, so I used it)
Light Chrome Yellow
Grass green
Pine Green
Burnt Umber
I made a second video adding the extra leaves to the page. This was with a few different colours.
The shadows were added at the end. They are Payne’s Grey.
The size of my Moleskine Watercolour Sketchbook (13cm x 19cm) allows me to play work on small areas of a page. You may also notice how I like to use the sharpened pencil to add finer details.
The finished page
The colour of these leaves did change as I sketched them and by the end of the day, they had changed shape and colour as they dried out. But that is the joy of sketching leaves, Each one is different and the colours are different on each one. There is no right and wrong.
I encourage you to have a play with your watercolour pencils and let me know if you have any questions.
I have scanned the sketchbook that I completed (and the second one started) in Auckland.
I decided to go ahead and scan all the pages, even though I would like to spend more time on some of the pages, adding some further details and finishing them. But I am not sure if that will ever happen.
It was hard to select which sketches to include in this blog. It will be enough to give you an insight.
my arrival and departure
Some urban Sketching moments
my own personal time and slower drawings in Auckland.
Melbourne to Auckland
in Auckland
Auckland Museum
Auckland life
Auckland Zoo
Auckland to Melbourne
All sketches will be added to Flickr, a photosharing website. All of my sketches go onto Flickr. It (and on my computer) is the place where I locate my own sketches. They all have tags and can be searched for. I also put various themes, holidays and projects in Albums.
The International Urban Sketching Symposium is an annual educational event organised by Urban Sketchers (USk), a nonprofit dedicated to fostering the practice of on-location observational sketching. The goal of the Symposium is to celebrate and practice the art of on-location sketching in the host city. Each symposium offers valuable field-sketching instruction and opportunities for participants to meet new friends and learn more skills. Following our spirit of “sharing the world, one drawing at a time,” we aim to bring the Symposium to new cities and countries every year.
This year it was the 11th in Auckland, New Zealand, and there were 500 participants from 31 countries.
Purchasing a Workshop Pass meant you could choose 3 workshops from a choice of 20. There were also Demos and Lectures. Alternatively, you could purchase a Sketchpass. I choose the Workshop Pass and below is an overview of my experience.
I was in Auckland for 10 days and filled more than one sketchbook. I arrived on Sunday and had already met and sketched with local and global sketchers before it even began, The following is about the Symposium Wednesday April 19 to Saturday April 22.
Opening Reception
A meet and greet and big Welcome and introduction to Symposium and what to expect over the next few days. Drinks and nibbles and mingling before heading back to the hotel.
My sketch of the Opening Reception
Workshop 04 Soaring spaces Stephanie Bower
My first Workshop. I have done this Workshop at Manchester Urban Sketching Symposium and still have a lot to learn. Inside St Paul’s, learning about vanishing points, eyeline, measuring. It was great but very challenging. I was pleased with my final sketch, but it took a long time to get there. And then we added colour with watercolour paints (which I borrowed as I use watercolour pencils) – more challenges.
Sketchwalk at Freyburg Square
Thursday pm .Freyberg Square is in central Auckland and all sketchers gathered and spread out over this multilevel square. Sketchers as far as the eye could see! Everyone is happy for a chat if you moved around them. We then gathered together for a group photo – always impressive. You can see in the photo that the sky is grey – but it was not raining.
Workshop 11 People in motion – marathon for a fearless sketcher Marina Grechanik
Friday 21 April
A whole A5 sketchbook of very quick sketches of people in Queen Street, down near the Quay where is a pedestrian zone. I learned some new techniques of adding blocks of colour first, which I will try to incorporate into some of my sketches. The session ended in one larger A4 page combining what we had learned.
Workshop 08 Sketch is just the beginning: design your own sketchbook spread using different elements Jaoquin Dorao
Saturday 22 April
Last day of Urban Drawing Symposium in Auckland. It rains in the morning, so instead of doing the workshop in the park, we do it indoors at Auckland University of Technology.
Elements include a large scene, taking up 60% of the page, a feature (I chose my pencils), a map, something glued in (in this case, it was the USK stamp), lettering and then text. There is one large bit of text and then shorter words to fill in white spaces.
Demo 21 Writing for sketchers: how to enhance your sketch with interesting narrative Gabi Campanario
Friday 21 April 2023 pm
The Demo is a one hour session (not three hours, like the Workshops), However, I learned so much in this hour, AND Gabi founded Urban Sketchers organisation, so it was great to meet him.
It was damp and we were at Symonds Cemetary a historic cemetery and park in central Auckland, in use from 1842, but not in use now. There is a motorway going over it called the Massive Overpass (that is what is called on the sign), which proved us shelter as the rain got a bit heavier.
The Last Sketch walk
Saturday 22 April 2023
The final sketchwalk was in Aotea Square, which is a large paved public area, which was a regular sketching venue. After the photo it rained a bit and people scattered and umbrellas were brought out. I sketched here too.
Closing reception
Saturday 22 April 2023
I WON a set of watercolour paints !Next year is in Buenos Aires
I had an amazing time at Symposium, meeting do many old sketching friends, and putting faces to names I had only seen online. I also met Lots of new sketchers from Australia and around the world.
and I have not even mentioned the Drink & Draw sessions, the Sponsors market. Silent Auction and anything else in the time I was there. I hope this has provided you with an insight into my experience at Symposium. I will write next week’s blog on my other NZ sketches. Let me know if you have any questions.
On Sunday I fly to Auckland New Zealand for ten days. From 19-22 April 2023 I am attending the 11th International Urban Sketching Symposium. What is it?
Hundreds of sketchers from around the world gather together to attend workshops and demos and lectures. We connect with sketchers from around the world and meet old friends and make new ones. Read more about it here.
I have registered to attend the following. Each Workshop is 3 hours and will be a steep learning curve.
Stephanie Bower – Soaring spaces: about sketching what you see when you look UP
Marina Grechanik – People in motion -marathon for a fearless sketcher
Joaquin Dorao – Sketch is just the beginning: design your own sketchbook spread using different elements
I have been to two previous Urban Sketching Symposiums – in Barcelona and Manchester. Both were amazing experiences. I am so excited about attending Auckland. It is also exciting to travel internationally again.
I have started my travel journal already. I am taking my usual sketchkit as well as the special supplies I need for the workshops I am attending. I usually sketch the following It helps me prepare.
a map
my sketchkit. I always list my pencil colours. They generally stay the same from year to year, with a few changes.
My clothes.
My packed bags.Sketched the night before ie now
The second part of Auckland holiday is a bit of family nostalgia. My parents lived in Auckland in the late 1960’s and I was born there. I am revisiting places they lived and visited. I have old slides, postcards, reel-to-reel audio tapes (sent home to family) and Super 8 film.
This is old souvenir kiwi they bought home. I want to see a real kiwi when I am there!
Below are two other sketches of old New Zealand souvenirs I did a while ago.
I will be sketching everyday for 10 days, outside of the workshops. There will be sketchers everywhere! I will post to instagram daily at alissaduke1 and you can follow me there.
Clunes Booktown Festival was the focus of my art world for the last few months. Like any event, there are always the post-event things to do. So now my suitcases are unpacked, and unsold books are on my shelves and will be gradually added to my ETSY site to purchase online.
I am working on two commissions in and have not been sketching as much this week. They are both in Draft and have been sent to the people to approve or suggest any changes.
I have returned to my normal sketching. There is a variety here of my sketches. Some are on location, some quick and others more studied.
sketching my breakfast . Vegemite on toast again. Yes, i have sketched this before. Reasons to sketch the same object/scene again: it is relaxing to sketch something familiar, as i don’t have to think as hard. Practice is always good. any sketch is better than no sketch. It is fun !
I had ten minutes to spare before the Library opened for my travel sketching class at East Melbourne Library.
Sketching my boot at my Travel Sketching with Watercolour Pencil class on Saturday. sometimes when travelling you have great plans for a day, and due to the weather, end up staying in your hotel longer than expected. OR like us, staying in Melbourne Library instead of going for a sketch walk. Sketching your shoes when travelling is a good idea. by the end of your holiday you will know them well and either love them or hate them. Last class until the next session in May and June. watch this space for details !
Clunes Booktown Festival has filled my creative mind and time over the past months. I now have to change focus as I leave in TWO WEEKS to fly to Auckland, New Zealand to attend International Sketching Symposium. Three days of Workshops and hundreds of sketchers from around the world. I am now in New Zealand mode with the old souvenir kiwi.
I have arrived home from an amazing weekend at Clunes Booktown Festival.
We were all so lucky. It rained Friday and Monday (not great for the organisers setting up the marquees, food stalls, etc) but the Saturday and Sunday had clear skies and not much breeze. Perfect weather to throw on an extra layer and wander and explore the streets full of books and listen to author talks.
My stall was in Wesley College (the Old Bluestone building), a block from town. There were seven other stallholders in this building.
I had great plans to take a lot of photos of the interior of our building, full of people, but I forgot.
Louise my good friend, was my trusty helper (table stylist, luggage hauler) for the weekend.
I did not get onto the main street very often, but when I did it had a wonderful vibe.
I had so many interesting chats with stall visitors, including some Instagram followers who came to see me!!!!
There was a steady stream of people throughout the weekend. We talked to people about books (of course), art, watercolor pencils, travel, and sandwiches to name a few topics.
There were people who returned from last year to tell me they had bought one of my books last year! The Annual Booktown Festival attracts locals, from Melbourne, and interstate. Hello to my Queensland friends for their special trip down to visit and to the Adelaide visitors I spoke to.
It was fascinating to hear why someone was purchasing a specific book. The drawing sometime had a personal memory for the person of a time or place in their life. Some were to be given as gifts, framed.
My sketching opportunities were at the opening and closing events for the Stallholders and Volunteers. It was lovely to meet other people involved in the weekend. I sketched when the speeches were on. They were unknown times, so when the speeches ended, everyone moved!
We arrived on the train (two hours from Melbourne) with four large suitcases. We departed from Clunes with three suitcases, selling a quarter of my stock. Very happy.
The plan was to leave the empty suitcase behind, but we filled it with books (for me to draw in for next year) and other purchases from the lovely shops at Clunes.
All of my drawn in books that did not sell will be gradually added to my ETSY online store
