Sketching in Melbourne

Last week I spent three days in Melbourne.
 
I had many adventures and did many pages of sketches in my Moleskine watercolour Sketchbook with my watercolour pencils. These are a few.
 
This is the view from my hotel. overlooking the old Melbourne GPO tower . It also gave the view of the tops of lots of  buildings and the back of The Royal Arcade Coat of Arms. So much sketching potential not enough time.
 
 
When I first arrived in Melbourne, I sketched while waiting for the hotel shuttle to arrive at Southern Cross Station.
 
Then I explored Melbourne. My first stop was the beautiful State Library and its dome.
 
one hour later I had to give up
 
While I was at State Library I saw the Dromkeen Children’s Literature Collection and sketched a grandmother telling a story to her grandson. The exhibition was of original children’s book illustrations. Some amazing illustrations.
 
In the evening I had arranged a meeting with Melbourne Urban Sketchers at the wonderful Luna Night Markets at the Queen Victoria Markets. Lots of crafts, food, great live music  interesting people all under the cover of the  markets. It was a crisp night, but I did not notice it until leaving. I was fortunate to sketch with Jodi, Angela and meet Erik, Ilsa and  Alyeesh
 
This is my main sketch of the night. A few of us sat against a wall and sketched what we saw in front of us. This brightly clad group stayed at the table for ages ! Great subjects.

People warming themselves by the fire sites
 
 
 
The next day  I explored more of Melbourne
 
 

I walked by this laneway -It is called Melbourne Place . It is  not a typical trendy café laneway, or one with the famous graffiti, but one that was in use. I had to move aside for a few cars to drive in, I also was asked  directions by lost tourists.

 
I think that this is my favourite sketch of my stay in Melbourne.  It is at the street end of Melbourne Place. I had to sketch it too. LOTS of peeling paint
 
.
 

 and I could not leave Melbourne without a sketch of Flinders Street Station. This was about 4pm it was getting chilly, I was tired and then the drizzle set in. I took that as a sign to leave and find somewhere warm.

 
A wonderful time. I still have some sketches to complete and hope to visit again soon.
 

birds at the museum

I  spent a few hours at the Australian Museum in Sydney on Saturday and today. I wish I visited more often. I have a membership so can get in for free, so I should make effort to visit. The problem is  – to many wonderful things to draw, to many projects !
 
The Australian Museum
 
Although there are many wonderful floors to explore and sketch, I seem to always head for the Search & Discover Room . It is an information and resource centre. You have a chance to  touch and feel real specimens, and take them to a desk to position and sketch. I had SUCH a good time. Sometimes lines just flow from the pencil. It happened here.
 
I have sketched a few Australian birds before . As with any subject, the more you draw and really LOOK and SEE  it, the more understanding you have of it and the better you get.
 
 
 
 
I usually draw in a 13 x 19 cm Moleskine Watercolour sketchbook.  The only times that I want to draw BIG are at the Museum and the Zoo. So I took an A3 sketchbook this time.
I also took an old ledger that I had bought. I want to explore drawing on printed surfaces.
 
Currawong

 
 
He is almost all black in colour. but I decided to finish in this sketch stage and not “colour in”
 
A3 Arches 300 GSM Smooth Watercolour Paper
 
Pied Currawongs are found throughout eastern Australia. They prefer forests and woodlands, and has become well adapted to suburban areas. Throughout its range it is common and familiar. Average size: 48cm Source: http://www.birdsinbackyards.net/species/Strepera-graculina
Their song  can be heard in Australian suburbs

Currawong
 
I sketched him again, but really  had to add all black otherwise he looked like a penguin with a white front.
 
 

magpie
 
The Australian Magpie is black and white. It is slightly smaller than the currawong  Its nape, upper tail and shoulder are white in males, grey in females. Across most of Australia, the remainder of the body is black. They are common and conspicuous birds.Australian Magpies are found wherever there is a combination of trees and adjacent open areas, including parks and playing fields. Australian Magpies can be very aggressive during breeding season and attacks on humans and pets can occur.
They have a beautiful song which I love to hear. It is a loud musical flute-like song, often performed as a duet or by groups
 
 

I always draw in watercolour pencil. On this page I was showing another sketcher, Jane how I use watercolour pencils to draw and blend. I have been using them everyday for over five years and love what can be done with them.
 
 
I draw lots of things and they all go on flickr https://www.flickr.com/photos/alissaduke/

testing watercolour papers

I draw daily using watercolour pencils in a Moleskine watercolour (13 x 19 cm) sketchbook, which I love and will continue to use.
But sometimes I want to do a more “finished” drawing  on a single A4 or A3 sheet.  I have been trying to find the equivalent of my Moleskine textured paper in this format, as Moleskine do not make their own paper and cannot be bought in sheets.
Recently I have been also using a pad of Arches Smooth 300gsm , was getting increasingly frustrated with the interaction of my watercolour pencil, water and the paper . I was finding that the pencil pigment on the  Arches gets “furry” or “fuzzy” as I pull the colour across the paper with water. This is the only way I can describe it.
In reality the difference is so subtle it is probably something that no one else would notice. So this is a very subjective review, as I am looking for something that suits me. But I thought I would share my experience.
I asked advice on Facebook groups and also looked online.  I received a number of number of suggestions which I took to my local art shop Parkers in Sydney .  After half an hour with a very patient assistant, I walked away with six sheets of paper (they did not have some of suggested brands : Aquabee, Holbein  Rhodia & Levenger) . Even when I was in the shop I could see and feel the difference between the papers, although after a while they all started to look the same and I was a little overwhelmed, so I made my purchases and went home.
Of course when I got home I sketched my newly purchased papers
there are subtle differences in the colour of the papers

UPDATE 2015 – I found the perfect paper – .It is called University paper. I believe it is produced by St Cuthberts Mill in the UK . Available at Deans Art in Melbourne ! In sheets.  210 gsm

I have never tested papers before, so it was all experimental.   I cut the paper into 13 x 19 cm rectangles (size of the Moleskine) .  I had only recently discovered that papers have a front and back side to them, so I have one for each.
I decided to test the colours and shapes that I have been drawing recently . Ivory Black – a colour I use in feathers and Magenta for macarons. I did a scribble of colour and then spread it out with a paintbrush. I wrote my thoughts down immediately on the paper before moving onto the next one.  Some were quite similar, but there was a difference.
Unfortunately the scans of the completed tests shows no difference between them. It looks like the same test fourteen times. so I won’t put them up online, but I will describe my immediate reactions and thoughts.

I have listed them from the best match to the least

The winner  is ….

         Lana 300 gsm Hot Press
FRONT – has more texture than back
BACK  – smoother than front. Not furry at all spreads well
I then drew a whole egg, feather and macaron, just to double check. It feels good!
                   Here are the other papers I tested and my thoughts.

 

Fabriano Soft Press 300 gsm

BACK not furry & spreads well, but settles furry. Paper has a bit of texture , not good for fine lines of pencil only
FRONT Paper fells thick not furry

Canson Montval 300 gsm

FRONT Textured paper
BACK not furry at all. Too much texture on paper

Arches Smooth 300 gsm

BACK furry
FRONT  furry

Bristol Board
Whoosh – glides off the page too smooth. Can’t get really dark lines
Fabriano Hot Press 300 gsm
FRONT Pigment does not spread well , stops and starts shows edges. A little more furry
BACK a little furry pigment does not spread well. stops and starts shows edges spread across spreads too much pigment
Saunders Waterford 300 gsm HotPress
FRONT furry . takes pencil well on its own. Not so good with dark colours. Front more furry than Back
BACK a little furry

if anyone has any other thoughts or suggestions please let me know. I now just have to learn how to cut sheets into even papers….

My different styles of sketching

Today, Saturday, I did four drawings, each in a different style. I thought that this would be an opportunity to write about it.

I draw with watercolour pencil and also use a Lamy Safari Joy ink pen. Depending on the day, how I feel, I use them in  different ways. Sometimes in combination and sometimes on their own. Some are quick sketches in minutes capturing a moment, others are completed over a few nights, as a study. 


A quick unplanned sketch of some  buskers Winterbourne in the Pitt Street Mall. I found a place out of the crowd, leaning up against a wall, and decided what to include. I started with the main guitarist, then the second one really got into it and so I quickly sketched him.  I then added the onlookers.



Lunch –  sushi at David Jones . Sushi is such a sketchable subject, so I chose my lunch subjects for their aesthetic value. And sushi doesn’t get cold as you sketch , and you can have multiple plates to choose from . This was drawn and coloured on the page in watercolour pencil and then I used waterbrush to spread the colour, then added some more pencil lines. I ate the avocado sushi and then drew the second  sushi and then ate it !


The next sketch was when I arrived very early for my hairdressers appointment. I found a place in the sun, leant up against a wall and spend about half an hour on this.  I drew in the lines of the buildings, either in their colour (such as Burnt Yellow Ochre for the cliff) , or Paynes grey . I then took colour off the tip of the pencil with the waterbrush and adding it to the page. Then I added the final lines of street lights and poles.


and finally a more studied drawing of some watercolour paper that I bought . I spent half an hour with the helpful (and patient) staff at Parkers Art Supplies in Sydney looking at a number of papers. I bought five.  I am going to use them to test as I am looking for a comparative paper block or sheets of my wonderful Moleskine watercolour sketchbook. I am still going to continue using my journals but am drawing some more “finished” subjects on loose sheets. I will be writing a separate blog post on this.

Sydney city people and places

Sydney city, like all others, is made up of both people and places. I have been out sketching both this week, with my watercolour pencils
 
Martin Place is a pedestrian area that extends over several blocks. There are large areas for the public, including a stage and steps. There is also space where skateboarders congregate. It is school holidays, so there was a younger crowd there this week. The are so quick and hard to draw. I needed to watch them do the same trick over and over again before I could get it on paper. If I watched them often enough I would have a better understanding of where all the limbs go !

 
The Big Issue seller in Martin Place. The Big Issue magazine is a fortnightly, independent magazine that is sold on the streets by homeless, marginalised and disadvantaged people

a coffee shop in Hunter Connection, Wynard . I went there because someone recommended the coffee and because of the coffee cups. I did the sketch in Payne Grey watercolour pencil while I waited for my coffee. There was a bit of a queue , but they were quick, so I did not get very long to sketch. Coffee cup sketched later .

Sydney sketches today

Sydney is enjoying the warmest winter in years. The day time temperature has not dropped below 20 degrees and this week there have been blue skies and sunshine everyday. I made the most of this opportunity and sketched . Today I was inspired (and had the time) to do two sketches, one before work and one at lunch. These are both sketched in Martin Place at the GPO end near the Westin.

As it was such lovely weather, lots of other people were out and about in their lunch hours too. That is why it is nice to come into work early and sketch at 8am.  I can sit in doorways of stores that are usually open through the daytime.





I am very pleased with what I can capture on a page in around 30 minutes. I like the vignette style and the little scene. I think that this style has only come to me recently. It is one of the styles that I would like to use when travelling. I also like to use pen and ink as well to do this style of sketch. I also like to do a very quick sketch of people and crowds. I have a variety of styles and it depends on the scenes (or most usually) what I feel like on the day to which one I use.

 

I start with a very few lines in pencil. Just some basic horizontal and vertical lines and for these, the arches, just so that I don’t miss out on a level of the building. Then my lovely watercolour pencils come out. I draw in the lines and areas in their colour, Then I apply the waterbrush, then more watercolour pencil and so on until it is time to go !

Drawing Sydney in my lunchhour

 Drawing Sydney in my lunchhour
 
I have been working  at an office near Macquarie Street, Sydney for the past three weeks. I took the opportunity to go out in my lunchhour and sketch some of the historic sandstone buildings.  Macquarie Street is one of Sydney’s oldest government districts with a number of heritage buildings built during the city’s early colonial years.
 
The weather has been the warmist May in many years, so it has been lovely to sit in the sunshine and sketch with my watercolour pencils.It is little capture of the buildings. I made a conscious decision to draw the buildings and not include the busy street life and am pleased with the result.
 
 I usually spent about half an hour on each sketch .
I sketch with watercolour pencils in a Moleskine watercolour sketchbook
 
 
Sydney Eye Hospital and Sydney Hospital
 
Sydney Eye Hospital and Sydney Hospital

St James

Hyde Park Barracks

 



St Stephens Uniting Church
 
 
State Library of NSW
 

drawing biscuits step by step

Today  I drew two biscuits for the Everyday in May challenge of Draw a Cookie.
I thought that I would share my drawing process with you. I use watercolour pencil in a Moleskine Watercolour sketchbook.
 
Everyday in May is an art challenge I have participated four times in previous years.
https://www.flickr.com/photos/alissaduke/sets/  A list of daily challenges is provided at the beginning of May and everyone draws/paints their interpretation. See everyone else’s at https://www.flickr.com/groups/edmeverydayinmay2011/pool/
These are based on the list of Danny Gregory Everyday Matters challenges.
 
Here is my drawing of a “Cookie.
” In Australia we call them biscuits and these are two Arnott’s classics. A Monte Carlo and a Shortbread Cream. These two are not my absolute favourites, but definitely part of growing up in Australia. The Delta Cream biscuit was added later……
 
Monte Carlo: a raspberry and cream fondant sandwiched between two golden syrup, honey and coconut biscuits.
Shortbread creams: two vanilla shortbreads with vanilla cream in the centre
 
 

 
 
 
 
The finished drawing. It took about two hours
 
 

 
 

Easter food drawing

Happy Easter

Each Easter I draw a hot cross bun and any other Easter eggs I have been given



a chocolate I was given
 

a card I made
 


Here is this years hot cross bun.

 
 
Hot Cross Buns are part of Easter for me and my childhood in Australia and they come from a English tradition.   They are spicey sweet buns with a cross on the top (made of flour and water usually) and are eaten on Good Friday.

I searched around a few local bakeries and bought three buns as I wanted to see their various interpretations. Usually they are sold in half dozen, but I bought single ones. I did not realize how traditional and picky I was, until I came to buy and draw them. It cannot have any strange additions (chocolate ? custard ? )  and HAS to have currants and if possible, peel.   I chose to draw the one that was home baked by a friend Judy. It has a lovely glaze (secret recipe).

Last year on my blog I showed step by step of my hot cross bun as I drew it.   http://www.alissaduke.com/2013/03/hot-cross-buns.html

and also a  collection of my other Easter drawings of chocolates and rabbits and more hot cross buns http://www.alissaduke.com/2013/03/happy-easter.html

Happy Easter break everyone

sketching a ferry quickly

 
Today I sketched this Sydney Ferry “Charlotte” at King Street Wharf terminal, while I was waiting for my ferry.
 
I made a quick set of notes as to each step so that I could explain how I used watercolour pencils to capture this part of my day on paper. The ferry is about 6cm x 6cm on the page
 
 
 
 
Sketched the basic structure of the ferry in Faber Castell Chrome Yellow as it pulled up to the wharf, unloaded and then reloaded passengers. I did not know how long it would be there but knew this would take a few minutes as it was just after 9am and full of commuters.
 
Quickly added the shapes of the windows in HB  pencil (to get the numbers and shapes correct)  and marked the height of the passengers against the front windows
 
Quickly and roughly shaded (scribbled) with Faber Castell Chrome Oxide Green and Yellow  in the correct areas
 
The ferry started to pull out backwards so I decided to draw the front of it  (in green) now that I could see it all
 
Added light loose background shapes of buildings across the other side of the water.
 
 
on the 8 minute ferry ride to Cockatoo Island
 
 
I added a little Faber Castell Ivory pencil direct to the page on the yellow area. This is to tone down the yellow, which is a little brash for the Sydney Ferry colour. These two colours mix as the water is added and they are spread over the small area on the page .
 
Use the waterbrush on the page to spread the colour
 
Added a few finer lines and the red and blue colour with the pencil direct on the paper
 
 
Then I was off the ferry and ready to enjoy my day !