My burger at Lost Trades Fair

Yesterday a friend and I spent the day at the Lost Trades Fair at Kyneton, just over an hour by train from Melbourne. The Lost Trades fair showcases traditional, rare and unusual arts and trades and actively promotes the people who practise these skills.

The weather was just perfect  and I sketched all day completing 10 pages. I was experimenting with reportage sketching – telling a story.  I still have to scan my sketches and write commentary. I need to reflect on how I managed the day and what I would do differently. These will be the topic of a later blog.

Today is all about my lunch at Lost Trades Fair.

14mar16 LTF lunch

After sketching and talking to some incredibly interesting stall holders, we stopped for a well earned lunch at Sidonnia Hills Natural Beef for their Drover’s Burger.


 

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We sat on hay bales and I sketched my burger and finally ended up eating a slightly cool, but delicious burger. I chatted to people in the queue about sketching and my pencils. 

I like to draw a detailed object in watercolour pencil and then use my Lamy ink pen to sketch the context. In this case it was the people at the markets.

Here are the watercolour pencils I used (with a waterbrush)

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Left to right : Grass green, Chrome Oxide Green, ivory, Burnt Ochre, Cadmium Yellow, Light Yellow Ochre, Deep Scarlet Red, Walnut  Brown, Burnt Umber, Magenta, Burnt Sienna, Madder Crimson.

All are Faber Castell  Albrecht Durer watercolour pencils, except the last , which is a Derwent.

See my blog posts  and sketches from last years Lost Trades Fair

http://www.alissaduke.com/2015/03/lost-trades-fair-sketching-part-1.html

http://www.alissaduke.com/2015/03/lost-trades-fair-sketching-part-2.html

 

 

Illustrating a recipe

Earlier this year I had a motivational and inspiring Skype conversation with the wonderful Victoria Johnson. a designer who provides art consultations. I did this to help me refocus on my art licensing goals. These had taken a back seat in the last 12 months as I was establishing the printing of my Greeting cards of my drawings for sale on my Etsy shop. I also took amazing opportunities for exhibitions along the way. I do not regret these sidetracks for a moment as they are both leading to other amazing opportunities and making wonderful connections.

One of the goals that Victoria suggested was to enter my art work onto They Draw & Cook (TDAC) It is the internet’s largest collection of illustrated recipes created by artists from around the world. It is where creative people share their love of food and art through illustration. Those of you who have been following me will know I love to draw food. ( I am not so keen on the cooking part, but have friends who can test/provide me with recipes).

Here is my first entry.

Alissa Duke

In creating this I discovered a few things

♦ It was a challenge to draw in a different format  –my current sketchbook is 19cm x 13cm .The size required for the website is 42cm x 15cm

♦ I have a lot to learn about composition of a page. I will have to design the illustration around the recipe, not the other way around.

♦ It requires planning. I will need to think about a page and not just start drawing on the page, as I usually do in my sketchbook. It requires a different approach.

♦ I will look at hand lettering options and styles of lettering. I would prefer not to use a typo graphic font at the moment.

♦ I am going to have to learn more on Photoshop . As this was another goal from Victoria, these submissions will provide me with practical experience. (Photoshop is an image editing software that allows you to manipulate, crop, resize, and correct color images.) I need to learn Selection Tools and Layering as a start.

♦ I really love to draw food – raw ingredients or finished pieces. It took longer to work out how to layout the recipe instructions than it did to draw the food – and more stressful.

Here are some of my previous food drawings of sweets and desserts and raw ingredients and sandwiches.

I am really looking forward to creating my next recipe.

My cards at State Library of Victoria

The last few weeks have involved some very exciting events for me and my art.
My greeting cards are now for sale at The State Library of Victoria at Readings Bookshop and the Law Institute of Victoria Bookshop.

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my cards are all along the top row and the first three on the left on the second row

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The greeting cards at State Library of Victoria include my drawings of library books, library ladders, feathers and nests. I visited on Friday to see them  prominently displayed on the shelf and fitting in very nicely in their surroundings. I am slightly overwhelmed and in awe that my cards are being stocked at such a prestigious and historic institution. It is visited by thousands of tourists and locals as it is a  Melbourne landmark and cultural icon.  This is a Very Big Deal for me as this Is my first stockist (apart from  my local corner store).

6Feb2016 SLV

I drew this on the morning that I dropped my cards off at the Library. It is a magnificent 19th-century building .

There is particularly interesting and strong connection between the State Library of Victoria and the Supreme Court of Victoria Library (where I work and whose books and library ladders feature on my cards).

25Feb16 statue

Statue of Sir Redmond Barry ,outside of the State Library of Victoria

Sir Redmond Barry, KCMG, QC (1813 – 1880), was a colonial judge in Victoria, Australia. He is a leading figure in Melbourne’s history. Amongst many other things he established the Library of the Supreme Court of Victoria in 1851, The current building, with its magnificent dome was completed in 1884 . In 1854 he established the Melbourne Public Library, now the State Library Victoria. It is Australia’s oldest public library and one of the first free public libraries in the world (and also has a dome).


In a second event my Library and book greeting cards are also going to be available for purchase at the Law Institute of Victoria bookshop. This is another area of great potential . There are 20 000 solicitors in Victoria and this is their member organisation and bookshop. I had a wonderful discussion with the manager and have many ideas for new drawing projects.

Of course, you can buy my greeting cards  from my online Etsy shop .

Lunar New Year – fast & slow sketching

On Saturday at my local East Melbourne Library there were Chinese New Year celebrations, including Lion Dancing. There were two Lions (each had two people in it)  and a mischievous buddah,  accompanied musicians on the drum, gong and cymbal. A fantastic overload of sights and sounds to delight the small crowd . It finished in firecrackers (outside the library) .

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It was very challenging to try and capture the constant movement of the characters. They darted up and down, back and forward, in a seemingly impromptu fashion. They jumped up onto the loans desk and bookshelves, in amazingly acrobatic moves. I learnt afterwards that they had not been to the library before this date and it was all made up on the spot.

I am not sure if I could have prepared for sketching this. It required very loose hand,  and arm movement. I was trying to juggle multiple coloured pencils and this slowed me down.

20Feb2016 chinese lion5lr

It was a lot easier to draw the musicians – this was within my comfort zone !

After the finale of firecrackers outside the library and the ending of the ceremony, I moved back inside to try the deep fried dumplings and Chinese black tea. The makers of these explained the process as I watched and chatted to the library staff.

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Chinese black tea with Sarah Cowell from Teasense

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Deep fried prawn and pork dumplings with Corona So from Living Cuisine

Totally in my comfort zone here !

one sketch – three endings

Friday night. I was meeting friends at The Westin Hotel foyer for drinks. I arrived 1/2 hour early and had time to order a glass of bubbly and sketch my surroundings.

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My initial sketch was of the ornate champagne chiller, bottles of wine and glasses.

 

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I then decided to place the drinks in context, so I added the people in the background and walls. This now moves it into an urban sketch as I am documenting a time and place. I then added the staff member as a focal point. My friends had arrived so I stopped this sketch (although I did two others while we chatted) .

I wanted to add colour to the page and realised that I had number of options. At home, I took photocopies of my finished sketch and experimented adding colour. I highlighted different areas of the sketch with watercolour pencil, making them points of interest.

Option ONE – adding colour to the people in the background

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OPTION TWO – adding colour to the champagne, wine and glasses

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OPTION THREE – adding colour to the wait staff

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Which do you think is most effective?

This weeks sketches

This weeks blog explores the sketches in my Moleskine Watercolour Sketchbook over the last week. They show the variety of styles I have and also when I make and take the opportunities to sketch.

MONDAY AM

1Feb2016 Treasury Gardens, Melbourne

I sometimes sketch on my walk to work, usually in the Treasury Gardens, Melbourne, which are about halfway to work. I usually stop around the same area, for about 10 minutes, sketching the ducks or trees or pond. I say hello to the ducks and start the day grounded and relaxed.

MONDAY PM

1Feb2016 Federation Square, Melbourne

I was meeting someone after work at Federation Square, in Melbourne city. They texted to say they would be half an hour late. So I sketched to fill in time. I sketched lots of other people waiting and chatting. I was meeting with someone who has a similar medical condition to what I had in 2011 and is going for surgery soon and wanted to speak to someone. I sketched through illness and surgery in 2011 and these sketchbooks can be seen here as well as my discussion on Artists’ Journal Workshop blog  . The meeting reminded me of the importance of drawing and sketch journals in my life as a form of healing and also recording an event.

TUESDAY & WEDNESDAY NIGHTS

2Feb2016 nature

I am practicing drawing objects in similar groups. In this case – nature. This butterfly and eggs have a similar colour, the feathers are similar and the twig is from nature. Adding the label, makes them seem like a collection. All have a similar tone and softness.

THURSDAY AM

3Feb2016 Legal Laneways Breakfast

Melbourne. a wet morning today in Hardware Lane for the Legal Laneway Breakfast for the Opening of the Legal Year. Umbrellas everywhere.speeches were kept short. wet paper,wet ink.wet me. Sketched after the official event from across the Lane , under shelter.
The annual Legal Laneway Breakfast brings together Victoria’s diverse legal sector to celebrate the start of the legal year. It was celebrated in church services on Monday and this morning was an event jam packed full of legal professionals enjoying a casual breakfast and a cup of coffee all in the name of raising money for a good cause – all under umbrellas

THURSDAY PM

4Feb2016 commuters
On the tram. Really quick sketches.

SATURDAY

6Feb2016 Everfresh wall

I was walking down Johnstone Street in Fitzroy and saw this graffiti wall (legal) and service station and old buildings behind. I thought I will quickly sketch this, but I was probably there about 1/2 hour. I could have stayed longer, but the page was beginning to get muddy with colour. I think that I tried to focus on so many interesting focus points here, but I am pleased that I stopped by.

7Feb2016 cars
My final sketches were done in front of the television (while teaching myself Photoshop) . The Bathurst 12 Hour race was on and these are a few quick sketches off the screen

As you can see, many of my sketches are unplanned and I also spend time in the evening on my drawings. Each one is good practice and enjoyable. I will  be continuing to practice my  collections of objects and then using Photoshop to move images around.

I wonder what my unplanned sketches will  be this week……

my studio

I was once asked to describe my studio. I had to laugh as my “studio” is my dining room table. Today I thought I would show you where I draw when I am not out and about being an “Urban Sketcher”.DSCF1136

I draw everyday in a Moleskine Watercolour sketchbook, sometimes on location and the other times at home. There are days when one dominates another depending on social events, projects, the weather etc.

My “ studio” is my dining table in my living/lounge room. When I moved to Melbourne just over a year ago I was determined that the main use of my big silky oak dining room table would be my art. I decided that the books, objects and information I needed for art would be in reach and I would be surrounded by things to inspire me. The bookshelves behind me have books  about art.

I have a small breakfast table in my kitchen where I eat some of the time, Sometimes I eat at the dining table.

Let me take you on a tour of my table.

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1 The Derwent Box (which you can barely see, as the wood colour is almost the same as the table) contains a double layer of pencils – an amazing gift from a good friend many years ago. Now I use Faber Castell pencils and this box contains the pencil colours that I don’t use regularly, spares, and various weights of graphite pencils. I am not sure why it is here, as I do not use it regularly and it potentially could go in a cupboard. But it is beautiful and makes me feel good.

2 These are stacks of papers related to upcoming art projects . They include– snail mail stationery, a exhibition project and my UK holiday.

3 Pens/pencil in mugs – these are some pens and pencils that I use frequently. They include white gel pens, inktense pencils, ink markers and a few ordinary coloured pencils. The containers they are in have significance to me.

4 Pencil sharpener CARL CP -80 – sharpens to a very fine point if needed!

5 Light – an OTT LIGHT craft light. It is a daylight lamp to help me see details clearly and colors accurately.

6 Laptop – This gets moved off the desk frequently. I do this to stop me from constantly checking email, etsy, flickr, WordPress, feedly (for blogs) , facebook AND to give me some clear desk space.

7 My current project – drawing eggs

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8 Watercolour pencils in a pencil wrap. I use the same colours on projects at home that I use everyday. I just roll this up and put it in my bag. If you would like read more about my watercolour pencils and my sketchbook see my earlier blogpost

9 Moleskine Watercolour sketchbook 13 x 19 cm

10 Water bowl – a gift from a friend. Too beautiful not to use, although slightly impractical. At home I have three brushes – a fine, medium and large. I use the fine one the most. When I am out I use a waterbrush.

I hope you have enjoyed this tour !

Where do you draw- from a studio or dining room table or wherever you can ?

 

 

 

 

Melbourne Zoo sketching

(On Saturday I went sketching at Melbourne Zoo  with Meegan and Kaz.

It was a sketching visit to the zoo, not a general visit. The three of us have three very different sketching techniques and approaches, using different pencils, crayons and paints.

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I wanted to sketch in a larger book than my everyday 13 x 19 Moleskine watercolour sketchbook. I had an old account ledger book I had bought years ago at a market. It is foolscap size, which is a bit bigger than A4. I knew the paper would be thin and not take much water with my water colour pencils. It would buckle and the colours would not be bright. I decided that it was an opportunity to experiment with some ink pens had been given. I mainly used the Sumiro – Thin line

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It has a soft tip and you can vary the thickness and thinness of the line, depending on how much you press the tip of the pen on the page. I am pleased with the result. In one way there is a lot less control of the line the pen makes, but you also get more control as you can press heavier to quickly create thick lines to show shadow or weight – great for sketches where you are trying to get the basic details down on paper quickly.

 

 


 

We saw about one third of the zoo. We walked past some enclosures where the animals were obviously not in sight or were staying undercover (tiger , lemur, otter) or in the distance (pygmy hippopotamus, mandrills ) and others were too lively (red panda). At the end of the day we had spent quality time sketching and closely observing the Elephants, Gorillas, and Orangutans, Tree Kangaroos,  and Colobus monkeys.


 

My sketches from the day – five animals

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Asian Elephants – The first elephant was on his own, having a great time playing with tyres against a tree. I did some  warm up sketches, not finishing many, but trying to get an understanding of how they move and parts of the body fit together

We then move into the elephant barn, where four (of the eight)  elephants were being cleaned and  measured by the keepers. There was a large audience.

I’ve drawn elephants before for my Elephant in the Room Sketchbook Project.

 


Tree kangaroo

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There were two tree kangaroos in the enclosure. One stayed in one place the entire time we were there, the other moved a bit, giving us the chance to sketch from different angles. There was also time to use colour . There were some active monkeys on the next enclosure and they attracted everyones attention, so the tree kangaroos were not as popular and  people moved on quickly. Tree kangaroos are from New Guinea, far northeastern Queensland and some of the islands in the region. Most tree-kangaroos are considered threatened due to hunting and habitat destruction.


Gorillas – There is a family of Gorillas including a baby, a few adults and one Silverback . He has  a commanding presence and such power.

(I heard a young girl say “One day can I have a gorilla in my home?”)

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The Black-and-white colobus’ monkeys have beautiful contrasting black and white fur. Hunting led to the colobus’s extermination in some areas. excessively for its beautiful fur. Its skin was  used to make dance costumes, hats, and capes. The biggest threat to the colobus today is habitat loss.

(I heard a young boy say “Mum , have a look at these luscious locks”)

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Why draw at the Zoo?

Firstly for the pleasure in the line on the paper (See my previous blog post on Why drawing makes me happy ). Some images gradually come to life on the page, and I don’t know how they will turn out. Sometimes a few lines will capture the basic shape. Often they will not. Many sketches were not finished on the day, as I started again and again from another angle. (Only a few of the best sketches of the day are on this page). This happens as the animal changes position, moves away or visitors unknowingly move in front.

When I draw I am putting my raw and primary reaction to the animal. My two friends and I drew the same animals, but often focused on different things – colour, shape, texture – and our interpretations were very different too.

I have the opportunity to observe the animal, their colour, shape and how they move. These are things I would not have noticed at a superficial viewing or taking a photo. In general people do not have an understanding of animal bodies, and each animal is so very different. You cannot transfer the human proportions and muscles and shapes to animals, just the tools of measuring comparative shapes and distance.

We will return another day to see and sketch more of the zoo. !

 

 

Montsalvat

On Saturday I visited Monsalvat, on the outskirts of Melbourne.

Montsalvat is Australia’s oldest surviving artists’ colony and still continuing today. It is set on 12 acres with many buildings, where various artists practice their crafts – guitar making, jewellery and art.

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I went to Montsalvat to visit my friend, Jodi Wiley’s exhibition which is closing this weekend. Jodi paints amazingly detailed eucalyptus bark on small canvas.

I took a direct train to the end of the line at Eltham and then a quick connecting bus and then a short walk. After an extreme week of weather, Saturday had blue skies and sunshine, just perfect for exploring and wandering a small part of the 12 acres. After viewing Jodi’s art, I stayed three hours, relaxing and sketching in the fresh air and sunshine.

During my visit I used a few different styles of sketching, depending on the time and place.

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I quickly sketched the peacock as I was sure he was going to go at any minute. However, he was comfortable with my presence and stayed for ages. I sketched in watercolour pencil and added a little water with my waterbrush. 16Jan16 Montsalvat 5 cropped

I scribbled down the colours and shapes of the chickens. They were in a coop and did not stay still for long at all ! I used the waterbrush used to loosen up the sketches. As you can see, they do not have any detail. (a waterbrush is pen shaped, with a brush on one end and the body is a reservoir to fill with water.)

There were also some large geese and ducks that I wanted to draw but decided to move on as there is more to this place than ducks and chickens !

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When I sketched the buildings I knew that I did not want to get caught up in their incredible detail. Many are built in a rammed earth style, looking hundreds of years old. It felt surreal as though I was in England, but surrounded by eucalyptus. And the buildings had corrugated iron roofs.

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I wanted to sketch only a few buildings on the page. I was happy with the size and time I spent on this (I did not note the time – but it felt right). There were so many buildings that I could have sketched. The features and details are a sketchers and photographers delight. Another visit !

I then caught the train home…

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one sketch, many outcomes

I was considering what to write about this week . I had just scanned a page from my December sketchbook and it struck me how one sketch can have so many purposes.

This is a sketch of  objects Mum has left out for the Satin bower bird to collect .

 

 

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The simple and quick act of sketching these objects allowed me to

  • document an occurrence from Mums house in a sketch.

 

  • have a conversation with my mother about the Satin Bower Bird visits. The visits  started recently and I really didn’t know much about it , apart from the fact that it visited. I was able to ask lots of questions and make notes. It will also have more meaning  when she talks about him in the future.

 

  • bring back memories of a camping trip to O’Reilly’s  National Park when I was about 12. This is the only other time I had seen Satin and Golden Bower Birds. You could feed them and the rainbow lorikeets in the campgrounds. I never thought that one day there would be one in a backyard !

 

  • fill in 15 minutes while waiting for a taxi to arrive to take us to the bus stop. I have always been an impatient person But since I started sketching I have never had this problem. I sketch and the time flies by.
  • practice sketching . I sketch daily and any sketch is an opportunity to observe, measure, make judgments on colour etc

And here is my finished sketchbook page.

29Dec15 bower bird