It is 68 days ’til Christmas. Normally I do not like to mention or think of Christmas until much later in the year. However, as the creator and producer of cards and gifts on my ETSY website, I know that now is the time to start advertising. It is especially important this year as the postal delivery times are taking longer than normal. Please take this into account and order early!
Now is the time to stock up. I have a range of Christmas cards, greeting cards that could be given as gifts, or the unique gift of a “drawn in” book.
I have drawn on a relevant page on a book that was about to be discarded, giving it a new life. There is a wide range of titles and images drawn available for purchase on my ETSY online store.
The postage rate is set for Australia Post in Australia. Please contact me for international postage or for East Melbourne hand delivery or if you have any questions,
I sketch daily in my Moleskine watercolour sketchbooks and sketch a wide variety of subjects: urban sketching, objects, and nature. Here are some of my nature sketches.
I usually like to include context in my pages. I am curious about what I am drawing I always make notes on the page. I follow a lot of artists on facebook, instagram and blogs and have realised that I am enjoying some of the journalling styles of the nature sketchers. I feel as though my nature sketches don’t have that extra narrative.
I recently discovered the facebook group The Nature Journal Club. “The Nature Journal Club is a diverse community of artists and naturalists, of all levels, who meet together to connect to nature through art. Founded by artist, educator, and author John Muir Laws, our group is centered in the San Francisco Bay Area, but it is open to anyone around the world with a passion for exploring nature with a journal”.
In “normal times” I take Nature Sketching with Watercolour Pencil Classes (Melbourne residents are in lockdown) . My classes are about using watercolour pencils (which I love) and observation of nature. I now want to move my observations and notetaking up a bit, but not move onto full-on natural history scientific illustration, AND I still want to be an urban sketcher and draw interesting objects. It has been interesting to see the diverse range nature journaling in the Natural Journal Club, and the realisation that I do not need to become too scientific.
I first discovered two Australians, Bethan Burton, https://www.journalingwithnature.com/podcast, who has interviewed nine nature journalers (including a sketching friend Jules Woolford https://www.drawnintonature.com/) and their wide variety of ages, places, and styles.
and then Amy Kirkbright https://www.amydiana.co/ is based in Melbourne and was running a online workshop (in lockdown Melbourne) which I signed up for .
Here are the results of the two-hour Workshop on Saturday. Amy spent time explaining her approach and concepts and things for us to think about. I took a page of Workshop notes. We then went outside our doors for 45 minutes and returned to our screens to share. That was interesting and fun. Here are my sketches and notes.
I now have a series of prompts to work with to add more information to the page. Sometimes these will be questions that may not have answers. Other questions I will look up online after the event.
I also recently discovered Open Trees.org ” the world’s largest database of municipal street and park trees, produced by harvesting open data from dozens of different sources”
Melbourne Urban Forest Visual The City of Melbourne maintains more than 70,000 trees. Individual tree data for City of Melbourne trees is presented on the map . Pan and Zoom into different areas of Melbourne, click on tree symbols to reveal details, and select between different locations and filters.
I spent my outdoor exercise and recreation time on Saturday and Sunday in the local Fitzroy Gardens in Melbourne. It is the start of Spring, the weather was glorious, especially on Saturday.
I am remembering to take my sketchkit with me so that I have access to a large range of colours. During the time we could only exercise and not sit down under a tree, for example, I was only taking my sketchbook and one or two watercolour pencils, or just my ink pen.
On Saturday I went for a long walk and then stopped to sketch the following scene. I have sketched this tree though the seasons, but yesterday it felt important to capture the beginning of Spring and the people having picnics, and catching up in small groups.
Today (Sunday) I went for a very long walk around and around the paths of the Fitzroy Gardens. I stopped for four sketches.
The two birds were very quick. Only a few minutes.Standing up. I have sketched them both before, so have to think less about the shape and colours to choose.
I sat down to sketch these two slower sketches. I realised that both have the theme of bursting with life. The first is a tree (trying to find out what it is) that has little shoots bursting from the base and trunk of the tree. The second is a mushroom bursting through the mulch around the base of a tree. It caught my attention as I am always looking up or down as I walk through the Gardens.
I try and mix up my weekly art blog posts with a combination of practical posts about watercolour pencils and my sketchbook or projects from that week. Please let me know if you have any watercolour pencil questions. I am missing sharing my enthusiasm for these with my classes and interaction with people.
I hope that all is well for you where ever you are. This week’s blog are some of the pages my sketchbook this week. These are from lunchbreak visits to the local Gardens.
Eight little ducks went out one day over the hills and far away Mother Duck said quack quack quack quack … and all of the eight little ducks came back.
That is the last verse of a childhood rhyme. You may have an equivalent version, I have been reminded of it each time I visit the baby ducklings at Treasury Gardens in Melbourne. They first appeared in early August. Spring did not begin until 1 September, so it was still very icy for a few weeks. I am happy to say there are still eight.
These are Australian Wood Ducks. There are only two species of ducks in the gardens and I have not seen the others with ducklings.
This blog post has my sketches since August . This is the current sketch. The rest of the page I have them listed from early August to now.
12 September
from a photo I tookThey look a scruffy lot
Sometimes they are the highlight of my day in lockdown Melbourne. I go out to the gardens in my one hour allowed exercise. Looking for the ducklings is a goal. I can’t stop long to sketch so it was just been basic lines in watercolour pencil or ink pen, with a bit of colour.
2 August
6 August
16 August
25 August
10 September
From Monday we can go out for recreation for two hours, so I think that means I can stop and sketch. I am looking forward to one day, sitting under a tree, sketching and reading and enjoying the sunshine.
I drew this lemon as I listened to the latest update on lockdown in Melbourne and Victoria. Drawing always soothes me. I shall now take this enforced extended home time to continue with a few more art projects.
work in progress
The first photo is the colours I used. Cadmium Yellow Lemon was the star of the show. I am now sure if I have ever used it before. The second photo is some of the other yellows that I could have chosen from. Below is a colour chart
This week I ordered and received in the mail a photo lightbox studio from a Sydney company Hypop.
I bought this as I am going to be taking photos of my “drawn in books” to put up on my ETSY online store. One of the amazing events that I had been invited to have a stall at this year was Clunes Book Town Festival. All events are cancelled this year and Melbourne has been in lockdown since March. At the moment we can only leave home for essential reasons (including food and exercise) once a day.
I am working from home and spending all of my time there. I am trying to be as productive as possible. I decided to put the books I would have had at a stall onto my ETSY online store. There are two shelves off books ready to go, with another two ready to draw in. I went on a fabulous shopping expedition with a friend in January, We went to lots of op shops in North Melbourne and Collingwood and found some gems.
I am purchasing books that are about to be discarded, Less than $5 – usually $5 for a handful or bag. They are the books no one wants – except me.
When you list an item on your ETSY store, you have the option of adding a number of photos. I had a lot of problems taking photos that did not get a shadow in them – of the iPhone, of me, from the multiple overhead lights in my apartment. Solution – to purchase a photo lightbox studio. The interior reflective surface, when lit, allows for photos without shadows. I am not a technical person, so this has been a steep learning curve. I took my first photos today. I am even more amazed that could actually put it together. There was a very helpful video on the store’s website. I was ok until they got to the bit that said “you will need two people for this”, but it is possible on your own…”
One hour and thirty minutes later, I switched it on and it worked! Now I just have to learn how to use my iPhone camera properly. I am sure there are plenty of YouTube videos for that!
and the first photos are below. I still have a lot to learn, but it is a big step forward.
The other books I have put on my ETSY store this week include the ones below. I have not taken photos of these in my new photo lightbox studio yet. That may be next weekend’s project.
I have postage set for Australia. Please contact me if you would like to find out about international or express post
It may look like a leftover bit of pizza to you. Why would you bother drawing it? In reality, this little sketch represents a lot to me.
This is a short and sweet blog this week. I have not been as busy in my daily sketchbook, as I have been “attending” some online sketching sessions and also preparing some “drawn in” old books to go to my ETSY online store.
This last piece of pizza on the plate was sketched after I finished a short (we had a bad connection) Facetime call to my mother, brother, and nephew who live interstate. Our borders are closed and Victorians are in lockdown.
All of my sketches are special to me. They are sketched for a variety of reasons, some more important than others. Two of my previous blogposts have pondered this .
Last week I wrote about my blue and brown watercolour pencils. I did review of the ones I use and don’t use (now that I have the complete FaberCastell set).
This week is green . Thanks Tina for the prompt. I hope that these are interesting and of use to someone.
Below is a drawing I did in 2012 ! of the green watercolour pencils I had at the time. I had been given a lot. I have added to them since then.
Below is the full range of all the green Faber Castell Albrecht Durer watercolour pencils colours.
MIssing Colbalt. Another pencil that I will find under the dining table.
My daily sketch kit still contains the greens that I was using in 2012 and a replacement colour that is included since then. These are personal choices that I use for my sketching in Melbourne.
Earth Green
Grass Green
Chromium Green Oxide
Pine Green. I was using Mineral Green in the Derwent brand, but wanted to get the nearest equivalent Faber Castell colour. This was purely personal preference, as I feel the Derwent’s are a little softer on the page and don’t sharpen to a finer point for detail.
There are a few things to note, which I mentioned last week.
knowing the colours that you own enables you to be aware of the large range of colour choice that you potentially have.
a colour can often change quite dramatically on the page when water is added.
there is a huge range of colours available and many of them are very close
you don’t have to use all the colours!
TIna ( who asked me about greens) is in the US and so the colours she uses will be very different. I describe a lot of these colours as “European”. I am not sure if this is correct, but there are a lot of blue/green colours.
It is good to be aware of the range that I have available to me. I will still only keep the four in my daily sketch kit, but I would be using strange unusual colours for commissions and my “You Can’t Draw in Books” project. I don’t do many commissions and they are usually buildings, sometimes with a few trees, grass for context. My “You Can’t Draw in Books” project involves drawing on a page of a book that was about to be discarded. The pages of different books vary in quality and age, most of them do not like to much work on them or too much water added to the pencil marks on the pages. in both cases, I would choose a single pencil colour if I had it instead of combining colours.
I recently wrote about my acquisition of the entire range of Faber Castell Albrecht Durer watercolour pencils. My goal was to explore my new colours, test them all and create a colour chart. As yet, I have not done this in a coordinated way.
However today I have tested the range of blues and browns as these are two colours that I have never been completely happy with in my sketchkit.
Blue
I have never been happy with Sky Blue for Melbourne Sky. It is ok until you add the waterbrush to the page and then it turns grey. Melbourne does have its share of grey days, but sometimes I want to capture the blue of the sky on the page. My current choice of Ultramarine is just not quite right either.
I am now going to use either Light Ultramarine and/or Light Phthalo Blue
Browns
Van Dyke Brown is missing. It might have rolled under the desk. It is close o Nougat
I currently have Burnt Sienna, Raw Umber, Burnt Umber, Walnut Brown, and Dark Sepia in my sketchkit. I am definitely replacing Raw Umber as it far to yellow for any of the objects I sketch. I think Bistre might replace it. I rarely use Burnt Sienna, so it may go. Dark Sepia is a relatively recent discovery and I use it for many nature sketches.
There are a few things to note.
knowing the colours that you own enables you to be aware of the large range of colour choice that you potentially have.
a colour can often change quite dramatically on the page when water is added.
there is a huge range of colours available and many of them are very close
