On Saturday I attended a zoom online life drawing session.

There are two different life drawing sessions I attend, (they are not classes). Both are based in Melbourne. One of the few things that lockdown has allowed me to attended these online.

Both life drawing sessions follow a traditional format and start with a few quick poses 2 minutes or 5 minutes, then a few 10 or 15 minutes, and then two longer poses 20 or up to 45 minutes. Logon into Zoom. You keep your video and mute your sound, At the end, you hold up to the screen camera and show your art if you want to and can share on social media – usually Instagram. When people hold their art up you can see LOTS of completely different styles, art materials, and sizes of paper (some are huge on easels) or a few on ipads. I sketch on A3 size paper.

However, they are run differently. I like them both.

The first is at The Art Room. They are usually on Saturdays, which is when I usually hold my own watercolour pencil sketching classes and so I have not been able to attend. I had attended a few at the studio before lockdown. In the online life drawing session, they provide wonderful high-quality photographs that were taken of the models before lockdown. Nude. male and female, all sizes, shapes, and ages. The photos are on the screen for the set amount of time.

The sketch below is with a new pencil. It is a multicoloured pencil from Daiso (a two dollar shop). It changes colour as you go. A few friends had talked about it and one posted me one. Fun.

So while I sketch, and my Audio is on mute I can play whatever music I want to listen to. Usually ABC Classic or Jazz.

Today it was a combination of close-up hands and feet and some full-length body poses. For me, it was one of those sessions, where everything just came together and worked on the page, This does not always happen. I always have fun, it is always challenging

Top Secret Life Drawing is run by another organisation via their Facebook page and I have never been to their live drawing session. During the lockdown, they are held on Thursday nights. I could never attend these in person at this time.

The models are live and also on zoom from their respective cities and countries. There is usually a theme- a director’s movie’s (Quentin Tarantino), a singer (Madonna), This month there is a theme of horror movies. am not attending any of those,, The model (or two) have props and sometimes clothed in something from the theme. So there is a bit of time spent as the model sets themselves up for their camera, getting body angles right for viewing and sketching,

Music is played that suits the theme. From 7.30-10.00. So I am all lively and awake at 10pm on a Thursday night and have to wind down and sleep soon as I have work the next day.

I am looking forward to going back in person, however, I am appreciating what I have now.

Over the past year, I have been exploring the colours in the full set of Faber Castell watercolour pencils. I have written about other colour ranges previously and have put links below. There are so many reds, too many reds and each a little different.

The watercolor pencils that I use in my everyday sketch kit are:

• Orange Glaze
• Alizirian Crimson
• Dark Red
• Burnt Carmine
• Caput Mortuum

my grey watercolour pencils http://alissaduke.com/2021/07/my-grey-watercolour-pencils.html

my blue and brown watercolour pencils http://alissaduke.com/2020/08/my-blue-and-brown-watercolour-pencils.html

my pink and purple watercolour pencils http://alissaduke.com/2021/03/my-pink-and-purple-watercolour-pencils.html

my green watercolour pencils http://alissaduke.com/2020/08/my-green-watercolour-pencils.html

my yellow watercolour pencils http://alissaduke.com/2020/09/my-yellow-watercolour-pencils.html

I hope this provides an insight into the colours. It is important to note how the colour can change when water is added. Being aware of this factor is key to knowing which colour to choose and take out of your sketchkit quickly.

Let me know if you have any questions and share your watercolour pencil experiences.

Happy sketching. Stay safe and creative.

A busy two weeks in a strange continuing world of lockdown, Days seem to blend together, however, there are also so many highlights.

I bought myself a lovely bunch of ranunculas.

A walk in the park in my lunchbreak. The local gardens have a cafe, which has remained open for takeaways.

I also bought myself a beautiful tea cup and saucer from an online vintage store.

I attended a zoom National conference for Law Librarians. I made a note on the page, that is was a strange experience to be listening to an online talk on Artificial Intelligence (AI) with a set 1841 & 1836 La journals infront of me, which are also available online.

Here are my watercolour pencils drawings of the Law Journal Reports as a work in progress

The results of wild wilds, not the earthquake. View from my window looking at some very large pot plants near the apartment pool.

…and that was just some of my week. I also catchup with sketching friends inthe UK and Sydney and Melbourne onthe weekends.

Last week I had started sketching parts of the gourmet hamper I ordered from the local Life’s Too Short Wine Bar. I had the main parts on the page and the colours. I ate most of it and left some sad pieces of salad etc on the plates so that I could look at the shape and colours.

I really wanted to focus on lettering on the page. I don’t usually do a lot of writing and or create labels on the page. However, I had a vision in mind and am pleased with what I ended up with. It can be refined more. It is really just my own writing style in different sizes and colours. I did not want to do anything too different.

Below are last weeks sketches shown next to the finished page. The line down the middle is the middle of the double-page spread. I decided not to try and remove it in Photoshop. The pages did get a little messy over the week as I rubbed out the lettering to try and make it fit around the drawings.

And then some cheese, crackers, nuts

salad

the main – salmon

dessert

All in watercolour pencil and the writing is a Faber Castell PITT (SMALL) in Dark Sepia.

Enjoy! I did!

Today I am posting lots of half-finished sketches. I hope to post the finished pages next Sunday. I want to finish the drawing and add some lettering describing the food on the page.

I ordered another gourmet food hamper from a local wine bar. A special lockdown offering, It was a cold seafood feast for two. This is going to last me three meals and pages and days of sketching with my watercolour pencils.

DESSERT – still to be drawn – crepes !

I want to add special lettering as I usually just dive in and write on the page, without thinking. see you all next week.

On Saturday I joined in the Melbourne Nature Journal Club zoom meeting. Fifteen of us met for instruction, guidance, and motivation from Amy. After warm-up sketching and thinking exercises to get us in the right mind space we each went out for 30 mins to observe and write and sketch. We then returned to zoom to share experiences and results.

I sketched this Bunya pine trunk in nearby Fitzroy Gardens quickly. Today I looked loser and observed more and wrote observations and questions on the page. I don’t usually do this. After about 10 minutes I went back home and added all those thoughts to the page. All of the sketches are watercolour pencil. The main colour for on location was Dark Sepia – a newish favourite.

Some people in the group were writers, some drew diagrams, everyone approached the concept differently. There was so much to learn from the others in the group. This is the third zoom session I have joined. One day we will sketch together in person!

The next day I add a branch/leaf I picked up. I had planned this yesterday when I collected it. It balances the page and works with the way I like to draw – a combination of sketching and drawing.

Watercolour pencil – the spiky branch was using lots of brown colours. I can remember stepping on these when I was little. We had to wait at a bus stop under a bunya tree to go to school. We were wearing sandals – ouch . I can still feel it now.

I ordered a gourmet food basket to pick up from a local wine bar in Melbourne called Life’s Too Short. I found out about it on a Facebook Group for our local postcode. It has information about events and support offered for locals. as well as lovely photos of the local gardens. Our local community is about 5000 people, and this group has about 330 members. This meal was a special treat for me and I felt good to be supporting a local business. In Melbourne, our 6th lockdown has been extended for another two weeks and extended to all of the State of Victoria. We have had 200 days in lockdown since March last year. My life is good, but for many people, it is not. And my art keeps me so happy when I am not working at my work from home job.

The Feast theme was Italian and Spanish. My menu is below. The meal was for two, so I have enough to last for days. Of course, for me, it offers the opportunity of days of sketching with my watercolour pencils, exploring all their colours. As there are multiple offerings of each, I can eat one, sketch one. and have one for later.

2 x Roasted Pumpkin, Sundried Tomato, Basil and Tallegio Tartlets
Green salad with Sigrid’s signature Dijon dressing
The Italian Job – 3 x artisan salami, 1 x Italian cheese, House-marinated olives
The Spanish Inquisition – 2 x Spanish Cheese, Serrero Jamon, assorted Crackers and accompaniments
Fresh-baked mini olive loaf, cultured butter and house salt
2 x Boozy Lemoncello Cupcakes
1 x Bottle of back-vintage Italian Savagnin wine to match this feast

expect to see more…. there is still dessert …. and I will add notes about the food sketched

Enjoy ! I am

I am excited to be involved in a project with Melbourne City of Literature combining my illustrations and words from a writer/poet. I will let you read it first and later in the blog I will give you the background about how it came about,

This week was the first time that I saw the words that my drawing were combined with. Perfect ! If you read it out loud it is delightful .

“Pacific black duck”

words by Lisette Drew. illustration by Alissa Duke

“‘QUACK! QUACK!’
My brothers and sisters are wishing the world would wake. I wish I could find some peace and quiet.
‘QUACK! QUACK! BREAKFAST! BREAKFAST!’
But I am hungry. ‘What’s for breakfast, Mum?’
‘It’s time you learn the tricks to catch your own fish.’
‘Catch a fish? On my own?’
‘Yes, my dear, it’s time to grow.’
I waddle out from under the quilt of Mum’s wings and look on the brand new day. Yawning from dawn is the sun, making our lake sparkle with life. Towering buildings shine on the surface like fish scales. Mum says the big big city we live in is called Melbourne. My great great ancestors called it Naarm named by the Boon Wurrung and Wurundjeri people of the Kulin Nation, the first people of our home. Humankind live in the city with us, and nearby a family of humans are having their breakfast on the bank. They don’t have feathers or beaks or webbed feet, or wear black crowns such as we do, but they nestle close together like my family flock. And they are just as noisy, chomping on their crunchy rolls.
‘Can we ask them for food? I’m sure they’ll throw us a bite.’
‘Bread is not good for you, little one,’ says Mum, ‘and you can’t rely on humans all your life.’
SPLASH! SPLASH!
My family jump into the lake.
I wobble into the water, kicking the cold away as I paddle out.
Mum is upside down, her legs sticking straight up in the air. Her secret green feather flashes brightly on her side. I wonder what colour mine will be when I grow up?
Only one way to find out.
I dive head first. Legs up. Bum out. Time to grow.”

Description

“Pacific black duck” written by @lisettedrew, illustrated by @alissaduke1. In early 2020, the Melbourne City of Literature Office commissioned a series of postcards, the art and image of each centred around a different animal found in Victoria, to be presented when the Office has the opportunity to travel overseas.

Postcard 10 of 21 #WildlifePostcards. Do your part to support the wealth and diversity of Victorian Wildlife by donating to @wildlifevictoria https://www.wildlifevictoria.org.au/donate/donate-to-wildlife-victoria

The 20 chosen wildlife postcards are being released on Instagram initially. I look forward to them being available on a website to view all of them and share it with you. It will also be exciting to receive the print version in the mail.

Background

The initial Callout from Melbourne City of Literature* : Writers and illustrators wanted for a project all about Victorian wildlife!

“We are putting together a series of oversized illustrated postcards, each one centred around a specific animal that can be found in Victoria to be part of a future International initiative  – and we are looking for pitches.  Is there an animal you have an affinity for, or want to shout from the rooftops about”

My initial submission involved nominating my favorite Victorin Wildlife and sending a sample of my art style. My first choice was the magpie, the second Pacific Black Duck.

My Process

I started with a lot of sketches from photos I had taken and sketches I had done in the past. I sketch these ducks often in the nearby Fitzroy Gardens.

I photocopied, flipped, cut and pasted until I was happy with the images on the page. I then transferred these to my final paper and drew them in.

I am incredibly pleased with the final version. I love the way we both mention the “secret green feather”. I look forward to seeing it out in the world one day at other Cities of Literature around the world.

*In 2008, Melbourne joined the UNESCO Creative Cities Network when it was designated the first and only City of Literature in Australia, and the second in the world.

Melbourne’s designation as a UNESCO City of Literature is acknowledgment of the breadth, depth and vibrancy of the city’s literary culture. Melbourne supports a diverse range of writers, a prosperous publishing industry, a successful culture of independent bookselling, a wide variety of literary organisations and a healthy culture of reading and engagement in events and festivals.

I enjoy drawing objects, and usually want to find out more about them. If it is a building or in nature, out somewhere I am visiting. I am curious about context, history, and what it is. I also often draw objects at home. Some are part of a family history project and have come from my childhood. They are HERE in my Flickr album. I love to find the story about when the object was acquired and how and when it was used. I like to find out other family members’ memories of the object. It is amazing that the memories of one object are different for different people. Or they don’t remember it at all, and I thought it was important.

A recent small project made me approach this from a different angle. I had to think a bit more, imagine a lot and I now have more questions than answers. This time I was drawing from someone else’s memory.

It started with one-liner.   My mum mentioned that when she was little she had a bird catching box in the yard. It involved a box and a piece of string. NOTE: no birds were ever caught doing this.

I drew the idea on the next letter I sent. Mum was surprised by it and said I had the box just right – but she was lying down, not sitting down.

I tried again with version two then three

Her comments were that she definitely had bare feet – no shoes and socks. So I drew the one with pointy toes and was told it would not have been pointy toes, I looked a lot online to find a person lying down without pointy feet, and I tried to imagine myself in that position.

It then got me asking my mother lots of questions, and made her think. She also asked her brother and sisters about their recollections and brought back memories for them, and was a conversation starter.

I had hoped to build up a picture by mentioning the senses and hoping they might trigger something – Sight, Sound, Smell, Taste, and Touch.

I asked how old was she and therefore what house and town were they in.

What would she have been wearing? how was her hair done?. Did a young girl wear shorts at that time? We only had a few posed photos of the family at that time, all dressed up.

Memory is a funny thing, it is hard to pin down, I tried it myself. Sometimes a photo is the only thing to base a memory.

Even if we did not get the details down on paper, it was a fascinating discussion and I learnt a lot about my mum’s childhood.

After postponing my zoo visit a few weeks ago, I finally got there yesterday. Our two-week lockdown ended in Melbourne. I woke up Saturday to beautiful blue skies and sunshine (at last). I made a very impromptu decision to make a Melbourne Zoo visit to sketch. I had recently purchased Zoo Membership and so visiting for a short time is now financially viable. I stayed for one and a half hours.

I have only been to the zoo a few times and always for a full day. I took this opportunity to think about how I would approach these short visits. You still need to book online before a visit.

My thoughts

Go on weekdays – It was very busy (within allowed COVID-19 numbers). I think I was the only person without a pram or 3 children under 10. It would be even more crowded on school holidays and public holidays. Avoid these.

Arrive when the zoo opens – go straight to the popular animals, it will soon get crowded.

I plan on going after work in summer, so will have to see what it is like then

A lot of my time was spent walking around between and around areas. If I am only there for a short time I will need to be focused on sketching, not walking.

It is always an unknown as to what animals will be around, how close they will be to viewing/sketching, how long they will stay in one place. Grab opportunities. Stay and sketch while you can. Sketching means observing. I saw so many little details. Even though the sketch was quick, the time spent looking at me animal is a wonderful opportunity to really look.

Some animals are much more popular than others. You know the ones ! In the lesser-known or less popular animals, people will either not spend much time there, or not go at all.

I try and prop myself up in a corner out of the way – Makes life easier for everyone.

Does anyone else have any suggestions?

I decided to sketch in different book than my usual Moleskine Watercolour Sketchbook (13cm x 19cm). I had been given some old ledgers, some written in, others blank. I choose the lightest one ( some are really heavy), which 34cm x 23cm. The paper is very different, and I realised I would not use my normal techniques. Yesterday I used my FaberCastell Watercolour Pencils, but did not add water. I know that the paper would not take the paper very well. I will probably do this in the future but also experiment with some of the other pencils, inks, charcoals etc that I have at home and don’t usually use.